scholarly journals Scientific realism in the history of ancient philosophy

Author(s):  
Alexander Sanzhenakov

The article is devoted to the consideration of the possibility of applying the methodological principles of scientific realism in the history of ancient philosophy. The author shows that in its strong version, scientific realism is not an appropriate basis for historical research, since it involves minimizing the number of interpretations of philosophical material of the past. Another serious drawback of applying strong versions of scientific realism in the history of philosophy is their focus on the correspondent theory of truth. This theory does not fit the historian of philosophy, since she aims not only at creating a realistic picture of the past, but also at incorporating the philosophical ideas of the past into the modern context, therefore a coherent theory of truth is more likely to meet her objectives. After a brief review of the weak versions of realism (H. Putnam’s “internal realism”, S. Blackburn’s “quasi-realism” and “sensibility theory”), the author concludes that these kinds of realism are more suitable for the history of philosophy in general and for the history of ancient philosophy in particular. As a result, the author concludes that the historian of philosophy must take into account the objectivity and independence of the philosophical ideas of the past, and inevitably be guided by his own conceptual and terminological facilities in order to incorporate the ideas of the past into the modern philosophical context.

Think ◽  
2021 ◽  
Vol 21 (60) ◽  
pp. 5-20
Author(s):  
Anna Marmodoro

The debate over whether and how philosophers of today may usefully engage with philosophers of the past is nearly as old as the history of philosophy itself. Does the study of the history of philosophy train or corrupt the budding philosopher's mind? Why study the history of philosophy? And, how to study the history of philosophy? I discuss some mainstream approaches to the study of the history of philosophy (with special focus on ancient philosophy), before explicating the one I adopt and commend.


2014 ◽  
Vol 59 (1) ◽  
pp. 49-60
Author(s):  
Davide Sparti

Obwohl jede menschliche Handlung mit einem gewissen Grad an Improvisation erfolgt, gibt es kulturelle Praktiken, bei denen Improvisation eine überwiegende Rolle spielt. Um das Risiko zu vermeiden, einen zu breiten Begriff von Improvisation zu übernehmen, konzentriere ich mich im vorliegenden Beitrag auf den Jazz. Meine zentrale Frage lautet, wie Improvisation verstanden werden muss. Mein Vorgehen ist folgendes: Ich beginne mit einem Vergleich von Improvisation und Komposition, damit die Spezifizität der Improvisation erklärt werden kann. Danach wende ich mich dem Thema der Originalität als Merkmal der Improvisation zu. Zum Schluss führe ich den Begriff affordance ein, um die kollektive und zirkuläre Logik eines Solos zu analysieren. Paradigmatisch wird der Jazzmusiker mit dem Engel der Geschichte verglichen, der nur auf das Vergangene blickt, während er der Zukunft den Rücken zugekehrt hat, und lediglich ihr zugetrieben wird. Weder kann der Improvisierende das Material der Vergangenheit vernachlässigen noch seine genuine Tätigkeit, das Improvisieren in der Gegenwart und für die Zukunft, aufgeben: Er visiert die Zukunft trotz ihrer Unvorhersehbarkeit über die Vermittlung der Vergangenheit an.<br><br>While improvised behavior is so much a part of human existence as to be one of its fundamental realities, in order to avoid the risk of defining the act of improvising too broadly, my focus here will be upon one of the activities most explicitly centered around improvisation – that is, upon jazz. My contribution, as Wittgenstein would say, has a »grammatical« design to it: it proposes to clarify the significance of the term »improvisation.« The task of clarifying the cases in which one may legitimately speak of improvisation consists first of all in reflecting upon the conditions that make the practice possible. This does not consist of calling forth mysterious, esoteric processes that take place in the unconscious, or in the minds of musicians, but rather in paying attention to the criteria that are satisfied when one ascribes to an act the concept of improvisation. In the second part of my contribution, I reflect upon the logic that governs the construction of an improvised performance. As I argue, in playing upon that which has already emerged in the music, in discovering the future as they go on (as a consequence of what they do), jazz players call to mind the angel in the famous painting by Klee that Walter Benjamin analyzed in his Theses on the History of Philosophy: while pulled towards the future, its eyes are turned back towards the past.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Saverio Ricci

Abstract The relation between Garin and Cassirer is still an insufficiently investigated topic, here proposed also in light of their personal connections and documents. This relation represents an important episode in the Nachwirkung of Cassirer in Italy. Garin was deeply influenced by Cassirer’s historical research and philosophical thought, in the shaping of his own research fields and in the methodological debates about the history of philosophy.


2021 ◽  
Vol 55 ◽  
pp. 277-287
Author(s):  
John M. Rose ◽  

Heidegger’s works are useful in teaching undergraduates in a variety of ways besides simply introducing Heidegger as an important figure in the history of philosophy. This paper outlines the role of Heidegger in the structure of my Ancient Philosophy course, an intermediate level requirement in the history of philosophy for the philosophy major at Goucher College. The thematic role of Heidegger in the course is illustrated with the intersection of Heidegger’s and Heraclitus’ philosophies and their related pedagogy of following language in a polysemic movement that can break the spell of sclerotic ordinary language about beings. Both Heraclitus and Heidegger move from the ordinary opining of the natures of things to the enigma at the heart of language. The paper also references the effect of this pedagogy on students with writer’s block, or graphophobia, when faced with their first attempts at serious philosophical writing. I conclude with describing the outcome of overcoming the fear of writing.


2021 ◽  
pp. 3-8
Author(s):  
Michael Frede

This introductory chapter provides an overview of the study of the history of philosophy. In general, there is an enormous difference between those who concern themselves with ancient philosophy, those who concern themselves with medieval philosophy, and the students of the history of modern philosophy. And, across this distinction, there is a great variety of approaches. One should not forget that the historiography of philosophy itself in many ways is a product of history and reflects the historical context in which it is pursued. Nevertheless, what this book is interested in is not the factual question of why historians of philosophy do what they do, but the theoretical question, the question of how one ought to conceive of and explain what they do; though they themselves in this work may not in fact be guided by these assumptions and principles, there must be such principles to the extent that their activity is a rational activity. It is also important to note that philosophers tend to criticize historians of philosophy as being unduly historical and not sufficiently philosophical.


1941 ◽  
Vol 3 (10) ◽  
pp. 819-852

William Bulloch, Emeritus Professor of Bacteriology in the University of London and Consulting Bacteriologist to the London Hospital since his retirement in 1934, died on n February 1941, in his old hospital, following a small operation for which he had been admitted three days before. By his death a quite unique personality is lost to medicine, and to bacteriology an exponent whose work throughout the past fifty years in many fields, but particularly in the history of his subject, has gained for him wide repute. Bulloch was born on 19 August 1868 in Aberdeen, being the younger son of John Bulloch (1837-1913) and his wife Mary Malcolm (1835-1899) in a family of two sons and two daughters. His brother, John Malcolm Bulloch, M.A., LL.D. (1867-1938), was a well-known journalist and literary critic in London, whose love for his adopted city and its hurry and scurry was equalled only by his passionate devotion to the city of his birth and its ancient university. On the family gravestone he is described as Critic, Poet, Historian, and indeed he was all three, for the main interest of his life outside his profession of literary critic was antiquarian, genealogical and historical research, while in his earlier days he was a facile and clever fashioner of verse and one of the founders of the ever popular Scottish Students’ Song Book .


Author(s):  
Karin de Boer

This chapter examines Hegel’s lectures on the history of modern philosophy in view of the tension between, on the one hand, his ambition to grasp philosophy’s past in a truly philosophical way and, on the other hand, the necessity to account for the actual particularities of a wide range of philosophical systems. Hegel’s lectures are put in relief by comparing their methodological principles to those put forward by his Kantian predecessor Tennemann. After discussing Hegel’s conception of modern philosophy as a whole, the chapter turns to his reading of Locke, Leibniz, and, in particular, Kant. In this context, it also compares Hegel’s assessment of Kant’s achievements to that of Tennemann. The chapter concludes by considering Hegel’s account of the final moment of the history of philosophy.


Philosophy ◽  
2010 ◽  
Author(s):  
Kevin Timpe

Free will is a perennial issue in philosophy, both in terms of the history of philosophy and in contemporary discussions. Aspects of free will relate to a wide range of philosophical issues, but especially to metaphysics and ethics. For roughly the past three decades, the literatures on free will and moral responsibility have overlapped to such a degree that it is impossible to separate them. This entry focuses on contemporary discussions about the nature and existence of free will, as well as its relationship to work in the sciences and philosophy of religion.


1997 ◽  
Vol 30 (120) ◽  
pp. 602-610
Author(s):  
Alan O’Day

Politics in the era of Parnell and his contemporaries continues to exert immense fascination. The five biographical (in the instance of Philip Bull’s book semi-biographical) studies surveyed add ample texture to understanding this much-ploughed field. At the same time these works demonstrate the importance of biography as a tool for interpreting the past. Doubt about the value of biography as a form of academic historical inquiry has recently been revived by the director of the Institute of Historical Research at the University of London, Patrick O’Brien. O’Brien insists that ‘unless the outcomes of a policy or set of policies are recognised by historians as significant and until those policies can be attributed in large measure to the ideas and leadership exercised by prominent politicians, then their lives, however deeply researched and readable, contribute very little to an understanding of the history of government and politics’. None of these studies were written with his strictures in mind, but they may well serve as a collective refutation, at least as far as the Irish past is concerned. They are also a testimony to the impress of F. S. L. Lyons on modern scholarship, if only in the sense that several challenge his verdicts.


Urban History ◽  
2020 ◽  
pp. 1-17
Author(s):  
Simon Briercliffe

Abstract The recreation of urban historical space in museums is inevitably a complex, large-scale endeavour bridging the worlds of academic and public history. BCLM: Forging Ahead at the Black Country Living Museum is a £23m project recreating a typical Black Country town post-World War II. This article uses case-studies of three buildings – a Civic Restaurant, a record shop and a pub – to argue that urban-historical research methodology and community engagement can both create a vivid sense of the past, and challenge pervasive prejudices. It also argues that such a collaborative and public project reveals much about the urban and regional nature of industrial areas like the Black Country in this pivotal historical moment.


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