scholarly journals 2017 | «arqueología filosófica y hermenéutica. apuntes sobre la interpretación de la historia de la filosofía en kant» ('revista de estudios kantianos' 2.1/2017)

2017 ◽  
Author(s):  
josé m. garcía gómez del valle
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
Philosophical Hermeneutics ◽  
History Of ◽  
Siglo Xx

arqueología filosófica y hermenéutica. apuntes sobre la interpretación de la historia de la filosofía en kantpor: josé m. garcía gómez del valleen: revista de estudios kantianos vol. 2, núm. 1, 2017, pp. 29-47.DOI 10.7203/REK.2.1.8811*** resumeneste escrito quiere presentar una aproximación a una posible "hermenéutica de la historia de la filosofía" en kant, para ello contextualiza la recepción del pensamiento kantiano en la hermenéutica filosófica del siglo xx y expone un conjunto de pautas kantianas para la interpretación del pasado filosófico.palabras clave: hermenéutica, historia de la filosofía.philosophical archaeology and hermeneutics. remarks on kant's interpretation of the history of philosophy / josé maría garcía gómez del valle / revista de estudios kantianos vol. 2, núm. 1, 2017, pp. 29-47. / DOI 10.7203/REK.2.1.8811 / *** abstract / the aim of this paper is to provide an aproximation to a possible "hermeneutics of the history of philosophy" in kant, situating the discussion in the context of the reception of kant's thought by the philosophical hermeneutics of the 20th century and presenting a set of kantian principles for the interpretation of past philosophies. / keywords: hermeneutics, history of philosophy.

Spiritual Crisis of the Beginning of the 20th Century: From Philosophical to Religious Interpretations

2021 ◽  
pp. 79-88
Author(s):  
Alexander V. Koltsov ◽  
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
The Other ◽  
German Philosophy ◽  
Religious Consciousness ◽  
Religious Context ◽  
Spiritual Crisis ◽  
History Of ◽  
History Of Culture ◽  
The One

The paper is an attempt to narrow down the notion of spiritual crisis which is now widely applied in research on history of culture of the 19th–20th centuries, with respect to history of German philosophy and observation of modern reli­giosity. The shift from the history of philosophy to the religious context is ful­filled through analysis of texts of two religious thinkers, A. Reinach and S. Frank, whose thought clearly demonstrates strong interconnection between the both fields. Analysis of contemporary studies on history of phenomenological philos­ophy (C. Möckel and W. Gleixner) lets firstly observe ways of application of Koselleck’s notion of crisis to investigations in the history of philosophy. Sec­ondly it discovers two possibilities of philosophical contextualization of the con­cept of spiritual crisis – on the one hand, as a constituent rhetorical element of the philosophical statement (Möckel), on the other hand, as a term which de­scribes the uniqueness of an intellectual situation of the beginning of the 20thcentury (Gleixner). Then these aspects of the rhetoric of crisis are applied to reli­gious philosophy of Reinach and Frank, what leads to interpretation of their works as a particular statement discovering the divine (or the holy) as a new cat­egory of religious consciousness.

scholarly journals Lo que fue ya no es y lo nuevo aún no toma forma: elecciones 2006 en perspectiva histórica

2009 ◽  
Vol 49 ◽  
Author(s):  
Ciska Raventós Vorst
Keyword(s):  
Costa Rica ◽  
20Th Century ◽  
Political Change ◽  
The Political ◽  
Voting Behaviour ◽  
Political Situation ◽  
History Of ◽  
Electoral Behaviour ◽  
Siglo Xx ◽  
The Relationship

RESUMEN: Este artículo analiza el proceso de cambio político que se inició en Costa Rica en 1998 y que aún no concluye, ubicándolo en el contexto de la historia política de la segunda mitad del siglo XX. Revisa luego las explicaciones que se han dado para el brusco quiebre en el comportamiento electoral de 1998, analiza la relación entre abstención y declive de los dos partidos tradicionales en el período 1998-2006 y se detiene a estudiar algunos rasgos del comportamiento electoral de los ciudadanos en el 2006. Concluye planteando una interpretación preliminar sobre el momento político en que se encuentra el país.ABSTRACT: This article analyzes the process of ongoing political change that has taken place in Costa Rica since 1998. It is analyzed in the context of the political history of the second half of the 20th century. This article reviews the explanations of the sudden shift in electoral behaviour in 1998, analyzes the relationship between electoral abstention and the decline of the two traditional parties between 1998 and 2006, and it studies some characteristics of voting behaviour in 2006. The paper concludes with a preliminary interpretation of the current political situation.

scholarly journals El discurso del civismo en Pereira o la "sacralidad" de lo público durante el siglo XX

2009 ◽  
Vol 1 (2) ◽  
pp. 7-31 ◽  
Author(s):  
John Jaime Correa Ramírez
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Public Spaces ◽  
Moral Values ◽  
Local History ◽  
Civic Discourse ◽  
History Of ◽  
Rotary Club ◽  
Siglo Xx ◽  
The City

La referencia constante al civismo es uno de los rasgos más distintivos de la historia urbana de Pereira. Al igual que en muchas ciudades colombianas, la ideología del civismo asume la necesidad de establecer una especie de simbiosis entre la ciudad, sus espacios públicos y sus ciudadanos, tanto en lo material como en lo espiritual. En el caso de Pereira se busca identificar los aspectos más relevantes del discurso cívico que desarrollaron entidades como la Sociedad de Mejoras y el Club Rotario a través de diferentes medios escritos, poniendo especial énfasis en los valores morales que debían exhibir los ciudadanos cívicos o los "ciudadanos de bien" de la ciudad, en el proceso de transformación y modernización vivido a lo largo del siglo XX.Palabras clave: discurso, civismo, prensa, clubes y sociedades, historia local, siglo XX.The discourse of civism in Pereira, or The “sacredness” of public matters during the 20th century AbstractThe constant reference to civism is one of the most distinct characteristics of the urban history of Pereira. Similar to many Colombian cities, the ideology of civism assumes that there is a need to establish a kind of symbiosis between the city, its public spaces, and its citizens, in material as well as spiritual matters. In the case of Pereira, the author seeks to identify the most relevant aspects of the civic discourse which developed entities like the Improvement Society and the Rotary Club, through different written means, putting special emphasis on the moral values which the civic citizens (or ciudadanos de bien) must have exhibited in the process of transformation and modernization experienced throughout the 20th century. Keywords: discourse, civism, press, clubs and societies, local history, twentieth century.

scholarly journals “Zurück zu Kant”

DoisPontos ◽  
2005 ◽  
Vol 2 (2) ◽  
Author(s):  
Mario Ariel González Porta
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
History Of Philosophy ◽  
Contemporary Philosophy ◽  
Historical Root ◽  
History Of ◽  
The 19Th Century

A filosofia alemã do século XIX posterior a Hegel está bastante estudada em três direções. A primeira, que surge da luta entre hegelianos de esquerda e direita, acaba por conduzir ao materialismo e ao marxismo; a segunda, que se expressa na vertente irracionalista e anti-sistemática, passa por Schopenhauer, Kierkegaard e Nietzsche; a terceira é constituída pelo neo-kantismo e suas derivações, cuja versão oficial teria suas raízes fincadas pelo famoso discurso inaugural de Zeller e pelo livro de Otto Liebmann, que deram o impulso ao movimento “Zurück zu Kant”. Em tal visão de conjunto, o grande ausente é um movimento contínuo, ainda quando irregular e multifacetado, que terminará conduzindo à filosofia contemporânea. Este movimento tem em Trendelenburg uma figura chave. É com suas “Investigações Lógicas” que se inicia a reformulação das relações entre filosofia e ciência e, neste sentido, o verdadeiro retorno a Kant. O fato de sua obra principal ter exatamente o mesmo nome que a coleção de ensaios temáticos de Frege, a obra de ruptura de Husserl e as dissertações de doutorado de Cohen, Dilthey e Brentano significa algo mais que curiosas coincidências. “Zurück zu Kant” (Adolf Trendelenburg the overcoming of idealism and the roots of contemporary philosophy) Abstract Considering history of philosophy as a whole, the two main traditions of thought from the 20th century (analytic and phenomenological-hermeneutic) can be regarded as being variants of one same fundamental turn. This systematic relation is connected to a common historical root. To highlight it implies to review the ideas that are deeply in the basis of the historiography of the German thought in the 19th century. Beyond names, problems and theses that may appear to have at first sight no relationship whatsoever, we can notice a continuous unitary development that has not yet received all the attention it deserves. In this movement, Adolf Trendelenburg stands out, once the beginners of both the abovementioned traditions and of neokantianism (Frege, Brentano, Dilthey and Cohen) received a decisive impulse from his reflections.

scholarly journals La recuperación de los centros históricos durante el Franquismo. El caso de Jaén

Imafronte ◽  
2020 ◽  
pp. 29-58
Author(s):  
José Manuel Almansa Moreno
Keyword(s):  
20Th Century ◽  
National Economy ◽  
Special Function ◽  
Fine Arts ◽  
Directorate General ◽  
History Of ◽  
Siglo Xx ◽  
The City ◽  
Santa Maria ◽  
Modern Image

PRUEBA - A mediados del siglo XX se inicia la revalorización de los centros históricos en Es- paña, especialmente de aquellas ciudades vinculadas con la historia de nuestro país, buscando desarrollar su potencial turístico como pieza clave para mejorar la economía nacional y ofrecer una imagen de modernidad en el extranjero.En esa labor tiene especial importancia la Sección de Ordenación de Ciudades de Interés Artístico Nacional, organismo dependiente de la Dirección General de Arquitectura, cuyos arquitectos son los encargados de diseñar proyectos de mejora y embellecimiento urbano, los cuales generalmente se complementaban con otras intervenciones acometidas en los edificios monumentales por otras instituciones (como, por ejemplo, la Dirección General de Bellas Artes o los cabildos municipales).A través de este estudio pretendemos analizar las intervenciones acometidas en la ciudad de Jaén durante la década de los 60 y 70, proyectos urbanísticos llevados a cabo si- guiendo otros ejemplos en la provincia como las reformas acometidas en Úbeda y Baeza una década antes, y que pretendían embellecer espacios tan emblemáticos como la Plaza de Santa María y el histórico barrio de la Magdalena. In the middle of the 20th. century began the revaluation of the historical centers in Spain, especially those cities linked to the history of the country, seeking to develop their tourist potential as a key piece to improve the national economy and to offer a modern image abroad. In this work it has special function the Section of Ordination of Cities of National Artistic Interest, organism dependent of the Directorate General of Architecture, whose architects are in charge of designing projects of improvement and urban beautification, which were generally complemented by other interventions in monumental buildings by other institutions (such as the Directorate General of Fine Arts). Through this study we intend to analyze the interventions undertaken in the city of Jaén during the decades of the ' 60s and ' 70s, urban projects carried out following other examples in the province as the reforms undertaken in Úbeda and Baeza a decade before, and which sought to beautify so emblematic as the Square of St. Mary and the historic district of the Magdalene.  

scholarly journals O SIQUEIRISMO NO CONTEXTO DAS FORMAS POLÍTICAS DE DOMINAÇÃO NO BRASIL

2018 ◽  
Vol 4 (2) ◽  
pp. 783
Author(s):  
Sandoval Antunes de Souza
Keyword(s):  
20Th Century ◽  
Late 20Th Century ◽  
Political Group ◽  
Palabras Clave ◽  
History Of ◽  
The Creation ◽  
Brazilian History ◽  
Siglo Xx

O siqueirismo se tornou um derivativo de uma palavra que era comum desde a criação do Estado nos meios políticos. Com a configuração de um grupo político praticamente hegemônico no Tocantins, os políticos, sejam deputados, prefeitos, vereadores e senadores ligados ao grupo de Siqueira Campos eram chamados de siqueiristas. Desta forma objetivamos fazer uma análise do siqueirismo comparativamente a outras formas de dominação, na perspectiva weberiana, no Brasil contemporâneo. O interesse é pontuar, em um recorte deliberado de algumas formas de poder que possam servir à percepção do que é o siqueirismo no Tocantins e compará-lo com outros personagens da política brasileira na segunda metade do século XX.   PALAVRAS-CHAVE: Tocantins; siqueirismo; dominação; política.     ABSTRACT Siqueirism has become a derivative of a word that was common in political circles since the creation of Tocantins state. With the configuration of a practically homogeneous political group in Tocantins, the politicians that were affiliated to Siqueira Campos were called “siqueiristas”, whether they were congressmen, mayors, councilman or senators. Thus, we aim to make an analysis of siqueirismo with respect to other forms of domination in contemporary Brazil using a Weberian perspective. Our interest is to point which forms of power can be used to built a perception of what is siqueirism and compare it to other political characters from Brazilian history of the mid-late 20th century.   KEYWORDS: Tocantins; siqueirism; domination; politics.     RESUMEN El siqueirismo se convirtió en un derivado de una palabra que era común desde la creación del Estado en los círculos políticos. Con la configuración de un grupo político prácticamente hegemónica en Tocantins, los políticos son diputados, alcaldes, concejales y senadores vinculados al grupo de Siqueira Campos fueron llamados siqueiristas. De esta manera se pretende analizar la siqueirismo en comparación con otras formas de dominación, en la perspectiva de Weber, en el Brasil contemporáneo. El interés es anotar en un corte deliberado de algunas formas de poder que puede servir a la percepción de lo que se siqueirismo en Tocantins y compararlo con otros personajes de la política brasileña en la segunda mitad del siglo XX.     PALABRAS CLAVE: Tocantins; Siqueirismo; Dominación; Política.

scholarly journals Biology and panpsychism: German evolutionists and a philosopher Theodor Ziehen (1862–1950)

2020 ◽  
Vol 36 (2) ◽  
pp. 240-253
Author(s):  
Georgy S. Levit ◽  
◽  
Uwe Hossfeld ◽  
Keyword(s):  
20Th Century ◽  
Evolutionary Theory ◽  
Evolutionary Biology ◽  
History Of Philosophy ◽  
Strong Impact ◽  
Ernst Haeckel ◽  
Quasi Experimental ◽  
History Of ◽  
Biological Systematics ◽  
Modern Evolutionary Synthesis

Theodor Ziehen was a prominent German psychiatrist and psychologist and a marginal philosopher of the first half of the 20th century who developed an exotic subjective-idealistic theory based on quasi-empirical psychological arguments. Although Ziehen was seen by contemporaries (most prominently by Vladimir Lenin) as a representative of the same philosophical current (empirio-criticism) as Mach and Avenarius, he never achieved their prominence in the history of philosophy. At the same time, Ziehen’s philosophy became influential in German biology, first of all, due to his direct and very strong impact on Bernhard Rensch. Rensch, in his turn, was the most significant figure on the international scene of what is known as the Modern Evolutionary Synthesis in biology. Rensch was not the only biologist influenced by Ziehen’s ideas. Ziehen had some communication with the “German Darwin” Ernst Haeckel and played a prominent role in the concept of the founder of biological systematics Willi Hennig. How to explain Ziehen’s prominent place in the history of evolutionary biology, despite his obscurity in the history of philosophy? Our hypothesis is that Ziehen became a visible figure in evolutionary theory because of the monistic bias in German biology. Ziehen’s epistemology appeared to be compatible with evolutionary monism and was developed by a practicing psychiatrist therefore obtaining a character of a quasi-experimental doctrine.

scholarly journals Den billedlige vending

2012 ◽  
Vol 27 (68) ◽  
Author(s):  
W.J.T. Mitchell
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
Linguistic Turn ◽  
Modern Thought ◽  
Turn Taking ◽  
History Of ◽  
Point Of Departure ◽  
The Way

W.J.T. Mitchell: "Den billedlige vending"AbstractW.J.T. Mitchell: “The Pictorial Turn”Taking as a point of departure Richard Rorty’s idea of the history of philosophy as a series of “turns”, Mitchell’s essay from 1992 argues that the so-called ‘linguistic turn’, predominant in the 20th century, has been superseded by a ‘pictorial turn’. The essay thus, in Mitchells own words, “looks at the way modern thought has reoriented itself around visual paradigms that seem to threathen and overwhelm any possibility of discursive mastery.” Analysing theories by e.g. Panofsky and Althusser, the essay “looks at pictures ‘in theory’ – and at theory in itself as a form ofpicturing”.

scholarly journals HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER.

2017 ◽  
Author(s):  
José Antonio Aristizábal
Keyword(s):  
20Th Century ◽  
Work Of Art ◽  
Photographic Image ◽  
History Of Art ◽  
Initial Hypothesis ◽  
History Of ◽  
Inner World ◽  
The Mind ◽  
Siglo Xx ◽  
Eugenio Trias

Palabras clave:Fotografía, estética, Humberto Rivas, Rafael Argullol, Eugenio Trías.Keywords: Photography, esthetic, Humberto Rivas, Rafael Argullol, Eugenio Trías.Resumen:El siguiente artículo busca dar una lectura a la obra del fotógrafo Humberto Rivas, Premio Nacional de Fotografía y unos de los mayores exponentes de la fotografía española de finales del siglo XX. Se parte de la convicción de que hace falta ubicar a Humberto Rivas en una tradición de pensamiento estético, ya que las distintas lecturas que existen sobre su trabajo, aunque importantes, no han  dejado de ser lecturas impresionistas que no han reflexionado en profundidad sobre su obra. Este artículo trata de ver a Rivas a partir de unas categorías estéticas. Para ello se remite a las reflexiones de Rafael Argullol para distinguir aquello propio del artista romántico, y a las aportaciones filosóficas de Eugenio Trías acerca de lo siniestro en la obra de arte, y las vincula a la obra de Humberto Rivas. La hipótesis inicial es de que Rivas no se sentía como un fotógrafo que atrapa momentos o documenta acontecimientos, sino como un creador, y su obra es resultado de un artista que se repliega sobre sí mismo con la intención de producir una imagen reflejo de su mundo interior, la cual se puede explicar desde la mente del artista romántico, aunque el contexto no sea el romanticismo. Por último, aunque el artículo hable sobre Humberto Rivas, también es una manera de construir un relato entre la imagen fotográfica y distintos valores estéticos que hacen parte la historia del arte. Abstract:The following article seeks to give a reading to the work of photographer Humberto Rivas, National Photography Prize and one of the greatest exponents of Spanish photography at the end of the 20th century. It is based on the conviction that it is necessary to locate Humberto Rivas in a translation of aesthetic thought, since the different readings that exist on his work, although important, have not ceased to be Impressionist readings that have not reflected in depth on his work . This article tries to see Rivas from some aesthetic categories. For this he refers to the reflections of Rafael Argullol to distinguish that of the romantic artist and the philosophical contributions of Eugenio Trías about the sinister in the work of art, and links them to the work of Humberto Rivas. The initial hypothesis is that Rivas did not feel like a photographer who catches moments or documents events, but as a creator, and his work is the result of an artist who recoils on himself with the intention of producing a reflex image of Its inner world, which can be explained, from the mind of the romantic artist although the context is not romanticism. Finally, although the article talks about Humberto Rivas, it is also a way to build a narrative between the photographic image and the values ​​that have served to interpret painting or sculpture in the history of art.

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