scholarly journals On the Role of the Theatrical Agent in Operatic Circuits at the Turn of the Twentieth Century: The Case of the Eastern Adriatic Coast

2021 ◽  
Vol 17 (2) ◽  
Author(s):  
Cristina Scuderi

The article examines the role of the theatrical agent in the operatic circuits of the late nineteenth and early twentieth centuries on the eastern Adriatic coast in the light of his relations with theatre management, impresarios and fellow agents. There were many different types of theatrical agent involved in managing operatic seasons, and they had different working practices.

2018 ◽  
Vol 3 (1-2) ◽  
pp. 129-166
Author(s):  
Umar Ryad

AbstractThe article sheds light on an important episode of the Arab-Orientalist encounter in the late nineteenth and early twentieth century by highlighting the role of the Egyptian scholar Aḥmad Zakī Pasha (1868-1934) in Orientalist circles, his travels to Europe, and his contributions to Arabic linguistic and cultural revival as well as politics. The study looks at his contribution as a member of the international scholarly circles of Arabic and Islamic studies. It will be shown that his engagement with European Orientalists was inseparable from his endeavors to ‘revive’ the Arabic heritage (iḥyā’ al-turāth), an engagement that was rooted in his discourse of ‘Arabism’ (al-‘urūba).


Veiled Power ◽  
2020 ◽  
pp. 1-14
Author(s):  
Doreen Lustig

Corporations have limited responsibilities in international law but enjoy far-reaching rights and privileges. International legal debates often conceive of this issue as a problem of business accountability for human rights violations. Conceptually, the issue of corporations in international law has focused on whether or not they are, or ought to be, recognized as ‘subjects’ of responsibility in international law and on the adequate conceptual analogy to the corporation. The introduction presents an alternative way of thinking about the role of international law and its relevance to the private business corporation. It traces the emergence of the contemporary legal architecture for corporations in international law and shows how modern international law constitutes a framework within which businesses and governments allocate resources and responsibilities—a framework that began to operate as early as the late-nineteenth century and continued throughout the twentieth century.


Author(s):  
Brigitte L. M. Bauer

Over the last 100 years, appositive compounding—combining two nouns in apposition—has become one of the most productive word formation processes in French. In an attempt to account for this dramatic spread and building on existing diachronic research, this article examines the occurrence of appositive compounds in non-standard French during the twentieth century, in a number of Gallo-Romance dialects and in Poilu, a sociolect from the early twentieth century, bringing together historical, dialectal, and sociolinguistic data. Analysis includes the identification of the different types of appositive compound and their underlying structure. Moreover word order patterns and their potential geographic correlates will be investigated as well as the role of metaphors and metonymy. Data reflecting geographic variation and sociolinguistic stratification will thus help to determine what factors were at play in the expansion of appositive compounding in contemporary French.


1995 ◽  
Vol 5 (1) ◽  
pp. 11-20 ◽  
Author(s):  
Richard Pankhurst

In Ethiopia the last decades of the nineteenth century and the first of the twentieth were of crucial importance. This period witnessed the rise of King, after 1889 Emperor, Menilek, founder of the modern Ethiopian state. He it was who established the presentcapital, Addis Ababa, in 1886–7, defeated an Italian colonial army at the battle of Adwain 1896, and between 1905 and 1910 established a number of modern institutions, including the first modern bank, school, hospital, roads and railway. A notable innovator, he was well content to utilise the skills of Indians, as well as other foreigners, for themodernisation of his age-old empire.


2013 ◽  
Vol 73 (3) ◽  
pp. 810-846 ◽  
Author(s):  
Christopher Coyle ◽  
John D. Turner

This article examines the role of creditor protection in the development of the U.K. corporate bond market. This market grew rapidly in the late nineteenth century, but in the twentieth century it experienced a reversal, albeit with a short-lived post-1945 renaissance. Such was the extent of the reversal that the market from the 1970s onwards was smaller than it had been in 1870. We find that law does not explain the variation in the size of this market over time. Alternatively, our evidence suggests that inflation and taxation policies were major drivers of this market in the post-1945 era.


2020 ◽  
Vol 38 ◽  
pp. 236-251
Author(s):  
Eleonora Sava ◽  

This study proposes an analysis of the imagery of time in Romanian folklore, as it is outlined in a series of mythological narratives and beliefs recorded by ethnographers in the late nineteenth century and the first half of the twentieth century. The concept of chronotope is used as an analytical tool for understanding the imaginary universe of Romanian folklore. The analysed narratives encapsulate a set of ideas and representations regarding the social norms of the peasant communities in which the figures of weekly time – Saint Wednesday, Saint Friday, Marțolea (Tuesday-Evening), Joimărița (Thursday-Night), etc. – play a central role. Analysing these figures of time, the study reveals their function as guardians of compliance with traditional norms referring to conduct, work and food. The study also highlights the fact that chronotopes perform the role of cognitive schemes of the Romanian folklore imaginary.


Author(s):  
Olena Spolska

The purpose of the article is to analyze the historical and cultural background and the main aspects of the formation of professional piano performance in Ternopil in the late nineteenth - first half of the twentieth century on the example of VMIL branch activity. Methodology. The methodological basis of the publication is historical-stylistic and comparative approaches, methods of historical-cultural discourse (according to V. Cherkasov). The formation of professional piano performance is considered in terms of musicological and stylistic approaches in broader cultural, educational, and musical-pedagogical contexts. The problem of studying the regionalism of music and performance centers and schools as a dynamic historical and cultural phenomenon is actualized. A thorough study of the history of regional piano educational centers and performing schools has been the subject of a number of musicological studies. In particular, the works of N. Kashkadamova, T. Starukh, L. Mazepa, and others are dedicated to the piano art of Lviv, its artistic education, and cultural institutions. Scientific Novelty. Based on the study of scientific and archival sources, we can see that the educational and pedagogical traditions of the Higher Music Institute named after M. Lysenko as the first Ukrainian professional center and its branches in Eastern Galicia have continued in the activities of pianists, teachers, and performers in Ukraine and abroad, mainly Western Of Ukraine. Attention is focused on the opening and initial stage of the branch of the Lysenko Higher Music Institute (VMIL) in Ternopil, in particular, on the activities of piano teachers. Based on historical, comparative, and individual approaches, the role of individual performers, composers, and teachers as the founders of piano performance in the region is highlighted. Thus, the novelty of the article is to trace the initial stage of the formation of piano performance in Ternopil in the late nineteenth - first third of the twentieth century. as a process of transition from the amateur period to academic performance and professional music education. Conclusions are made about the decisive role of the branch of the Higher Music Institute named after M. Lysenko (VMIL) in Ternopil and its founders, in particular, Iryna Krykh (Lyubchakova) and Yuri Krykh, in the development of music education and performance in the region. Keywords: musical culture of Western Ukraine, end of XIX – first half of XX century, piano performance, Higher Music Institute M. Lysenko (VMIL), pianists, performers and lecturers of Ternopil.


Author(s):  
Bradley Shope

This chapter discusses blackface minstrel troupes, British regimental bands and jazz orchestras performing in India from the mid-nineteenth century to the mid-twentieth century. It details their challenges and strategies for success, and suggests that their capacity to facilitate cosmopolitan encounters in the wider world contributed to their popularity and value. It first introduces problems and practicalities in maintaining bands performing British military music in India in the mid- and late-nineteenth century. It then briefly introduces the character and scope of ballroom dance music and blackface minstrelsy in urban centres. To end, it examines the character of jazz orchestras between the 1920s and 1940s, detailing the role of the gramophone industry, entertainment venues such as hotel and cinema hall ballrooms, and the Allied military in Calcutta on their growth and profitability. In each example, it articulates thoughts on the role and usefulness of orchestras and notes issues confronting their musicians.


2021 ◽  
Vol 19 (1) ◽  
pp. 39-56
Author(s):  
Alexander Jordan

That the great Scottish man of letters Thomas Carlyle (1795–1881) exercised a formative influence over late-nineteenth- and early-twentieth-century ‘British Idealism’ has long been recognized by historians. Through works such as Sartor Resartus (1833–1834), Heroes and Hero-Worship (1841), Past and Present (1843), and Latter-Day Pamphlets (1850), Carlyle transmitted his ideas regarding the immanence of the divine in nature and man, the infinite character of duty, and the ethical role of the state to a generation of subsequent philosophers. The following article will extend this insight, arguing that through the agency of an array of migrant Scottish intellectuals, Carlyle's writings made an equally significant contribution to the development of Idealism in English-speaking Canada.


Author(s):  
Kevin M. Jones

This chapter details the engagement of Iraqi poets with the Arab Nahda of the late nineteenth and early twentieth centuries. It provides a brief account of the social role of poetry in late Ottoman Iraq and a survey of the neoclassical poetry revival in Egypt and Syria. The chapter shows how Iraqi poets used the Nahda press to articulate their own relationship to modernity and reveals how new appreciations of the singularity of Iraq’s poetry tradition inspired proto-nationalist conceptions of Iraqi culture. Finally, the chapter examines the efforts of a new generation of young Najafi poets to promote the pioneering role of their own Najafi predecessors and reconstruct the historiography of the Arab Nahda for a broader Arab audience in the early twentieth century.


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