TOTAL WAR, CIVIL WAR AND ‘MODERNITY’

2003 ◽  
pp. 26-39
Keyword(s):  
2017 ◽  
pp. 181-204
Author(s):  
Mark E. Neely
Keyword(s):  

Author(s):  
David R. Como

In 1643, shifts in abstract political theory translated into mass political mobilizations. This chapter examines two such campaigns. The first was an attempt to push London’s government and parliament to embrace a “Remonstrance” to define parliament’s struggle and to commit parliamentarians to a program of total parliamentary supremacy. The second was a petition and plan for a “General Rising” of the people, designed to mobilize the nation for total war against the king, who was demonized as an oppressor. Although the campaigns failed, they attested to major changes unfolding within parliament’s camp, as ever larger numbers of supporters, having devoted themselves to the cause, now began to stake claims to define the nature of the civil war. Competing understandings of the war effort now spread, with many prepared to reject parliament’s official justification, and with some eager to implement radical changes to England’s constitutional structure.


2017 ◽  
Vol 35 (3) ◽  
pp. 667-710 ◽  
Author(s):  
Stephanie McCurry

One of the most important legacies of the American Civil War, not just in the re-united States of America but also in the nineteenth and twentieth century world, were the new laws of war that the conflict introduced. “Lieber's Code,” named after the man who authored it for the Lincoln administration, was a set of instructions written and issued in April 1863 to govern the conduct of “the armies of the United States in the field.” It became a template for all subsequent codes, including the Hague and Geneva conventions. Widely understood as a radical revision of the laws of war and a complete break with the Enlightenment tradition, the code, like the war that gave rise to it, reflected the new post-Napoleonic age of “people's wars.” As such, it pointed forward, if not as the expression of the first total war, then at least as an expression of the first modern one, with all the blurring of boundaries that involved.


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