media frame
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2021 ◽  
Vol 9 (4) ◽  
pp. 331-344 ◽  
Author(s):  
Shiming Hu ◽  
Weipeng Hou ◽  
Jinghong Xu

Employing content analysis, this study compares the coverage of the Arab uprisings by the <em>People’s Daily</em> (the official newspaper of the Communist Party of China) and <em>Caixin Net</em> (a typical commercial media) with statements from the Chinese Foreign Ministry in the last decade. It shows that the overall attention given to Arab uprisings in the <em>People’s Daily</em> and <em>Caixin Net</em> declined during the period, but there were shifts in the framing of the conflicts, presentation of issues, and positions. The article demonstrates and analyses how the approach and outline of the conflicts in the <em>People’s Daily</em> changed from disaster to criticism, and then to comparison—its position towards the events generally negative—and how <em>Caixin Net</em> moved from a disaster to a contextual framing of the events, its position tending to be neutral.


Author(s):  
Prof. Chetan S More

A Digital Photo frame, also known as a digital media frame. It's a device that displays pictures digitally without the use of a computer or printer. Today’s Digital picture frames comes in a number of designs and sizes, as well as with a variety of extra capabilities. The advent of digital picture frames antecedent all computers commence the dawn of projecting memories digitally. Digital photo frames were originally designed to showcase stationary, slide show of images digitally hence they give a professional look to display images in a frame and due to simplicity in the design, it can be used continuously. You can even run a video containing multiple images with a short display time frame.


2021 ◽  
Vol 8 (2) ◽  
pp. 796-817
Author(s):  
Dian Puspita ◽  
Budi Eko Pranoto

During the event of disasters, news media are considered as the most visible of all parties involved in the response and rehabilitation. News media frame disaster events in certain attitudes, which then significantly resonates with the magnitude of the disaster. This research aims at investigating the attitude of the Japanese newspaper in narrating disaster events. Using the descriptive qualitative method, this study adopts the appraisal theory (Martin White, 2005) to embed and reveal appraisal in attitude features. The data were taken from three Japanese online newspapers reporting disaster events from 2019 to early 2020 with a total number of 100 articles. The findings show that of all attitudinal features, judgement is found as the most frequent source, followed by appreciation, and affect. It reveals newspapers’ tendency to emphasize the attitude and to construe the evaluation toward the events or phenomena rather than revealing the feelings or emotions experienced by the emoter(s). Interestingly, the distribution of the attitudinal implies the attitude of Japanese newspapers on reporting disaster which is highly emphasized on admiring, criticizing, praise, and condemning disaster events. It is also found that the negative features are slightly higher than the positive ones, but to refer to the phenomena rather than the victims. This lexical strategy proves that Japanese newspapers play the role in mainstreaming disaster management policy which focuses on the reconstruction and rehabilitation after disaster events. 


2020 ◽  
pp. 009365022097114
Author(s):  
Allison E. Betus ◽  
Erin M. Kearns ◽  
Anthony F. Lemieux

Do media frame attacks with Muslim perpetrators as “terrorism” and attacks with White perpetrators as the result of “mental illness”? Despite public speculation and limited academic work with relatively small subsets of cases, there have been no systematic analyses of potential biases in how media frame terrorism. We addressed this gap by examining the text of print news coverage of all terrorist attacks in the United States between 2006 and 2015. Controlling for fatalities, affiliation with a group, and existing mental illness, the odds that an article references terrorism are approximately five times greater for a Muslim versus a non-Muslim perpetrator. In contrast, the odds that an article references mental illness do not significantly differ between White and non-White perpetrators. Results partially confirm public speculation and are robust against numerous alternative explanations. Differences in media framing can influence public (mis)perceptions of violence and threats, and ultimately harm counterterrorism policy.


2020 ◽  
Author(s):  
Priscila Biancovilli ◽  
Claudia Jurberg

AbstractBackgroundOne of the challenges posed by the novel coronavirus pandemic is the infodemic risk, that is, a huge amount of information being published on the topic, along with misinformation and rumours. Around 100 million people in Brazil (50% of the inhabitants) are users of social media networks, and a substantial amount of false information about the disease circulates in these media.ObjectivesIn this study, we examine the agenda-setting, media frame and content of misinformation published on the topic.MethodsWe analysed all pieces of misinformation published by the Brazilian fact-checking service “Agência Lupa”, during six months of 2020. We used content analysis to classify the texts into categories, and three types of rumours were identified: Misleading content; fabricated content; false context.ResultsWe analysed 232 pieces of misinformation. Most were published on Facebook (76%), followed by Whatsapp, with 10% of total cases. Half of the stories (47%) are classified as “real-life”, that is, the focus is on everyday situations, or circumstances involving people. Regarding the type of misinformation, there is a preponderance of fabricated content, with 53% of total, followed by false context (34%) and misleading content (13%). Wrong information was mostly published in text format (47%). We discuss the influence that misinformation can have on the behaviour of the Brazilian population during the pandemic and how the media’s agenda-setting is influenced by false information published on social media.ConclusionsThis study shows that misinformation about COVID-19 in Brazil seem to help establish an agenda-setting in the country, and the media frame is aligned with President Bolsonaro’s political position.


2020 ◽  
pp. 175063522094855
Author(s):  
Aina Fernàndez Aragonès

The historical relationship between women and war is largely mediated by their body, used as a symbolic expression of the process of occupation, extermination and subjugation of one people by another through the systematic violation of women and girls. Kurdish women live a triple struggle: against the Daesh, against the national oppression of their people by the different states of the Middle East into which Kurdistan is divided, and last – but not least – against patriarchy. In this fight, their body is their weapon: Daesh fighters are put into panic by them, since if they die at the hands of a woman they will not go to paradise. Commander Arian (2018) directed by Alba Sotorra and Girls’ War (2016) directed by Mylène Sauloy portray the struggle of Kurdish women against Daesh in the area of Rojava (Syrian Kurdistan). This article explores the media frame used in those documentaries to explain the relationship that these women establish with violence, a relationship allegedly denatured but sustained throughout history.


Author(s):  
Nurlaela Syarif ◽  
Udi Rusadi ◽  
Mikhael Dua

The fact of reality in the local election process in looking for regional leaders is always colored by "image of conflict" in the national escalation labelled as the "conflict provinces". The reality of local political actors in North Maluku eventually became a commodity of mass media institutions as a material for political coverage. This study uses an interpretive paradigm of the reality of the image of political actors in the frame of local mass media in the simultaneous elections at North Maluku in 2018, through a qualitative approach to framing analysis. Data collection methods is done by using text analysis, observation, in-depth interviews, FGDs and document searches found the results of how the mass media frame in the context of political communication and how the framing process occurs in the construction of local media against the meaning of the image of the candidates for governor and deputy governor.


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