From Trinidad and Tobago to the World: Determining the role of Calypso in a new Era

Calypso is a popular Caribbean musical genre that originated in the island nation of Trinidad and Tobago. The genre was developed primarily by enslaved West Africans brought to the region via the transatlantic slave trade during the seventeenth and eighteenth centuries. Although West-African Kaiso music was a major influence, the genre has also been shaped by other African genres, and by Indian, British, French, and Spanish musical cultures. Emerging in the early twentieth century, Calypso became a tool of resistance by Afro-Caribbean working-class Trinbagonians. Calypso flourished in Trinidad due to a combination of factors—namely, the migration of Afro-Caribbean people from across the region in search of upward social mobility. These people sought to expose the injustices perpetrated by a foreign European and a domestic elite against labourers in industries such as petroleum extraction. The genre is heavily anti-colonial, anti-imperial, and anti-elitist, and it advocated for regional integration. Although this did not occur immediately, Calypsonians sought to establish unity across the region regardless of race, nationality, and class through their songwriting and performing. Today, Calypso remains a unifying force and an important part of Caribbean culture. Considering Calypso's history and purpose, as well as its ever-changing creators and audiences, this essay will demonstrate that the goal of regional integration is not possible without cultural sovereignty.

A Brief History of Race, Politics and Division in Trinidad and Guyana

This essay will act as an analysis of the Indo-Afro racial politics of two west Indian countries: Trinidad and Tobago, and Guyana. I will give the circumstances that led to the migration of large numbers of East Indians as indentured servants to Trinidad and Guyana, specifically. I will also explain how these conditions led to a distinct form of government and society. Through tables of electoral data in Trinidad, the racial voting patterns will be observed, and I will elaborate on how political parties do or do not pander to their respective racial communities. Finally, I will conclude by addressing how the racial divide in these two large Caribbean nations impact Caribbean regionalism on a larger scale.

Conceptions of Race Beyond North America: The Subversion of the Colonial Racial Contract in The Bahamas

In his work Ethnic groups and boundaries, Frederick Barth argues that applying definitions to group of peoples has less to do with emphasizing a shared culture than with defining the sentiments of communality in opposition to the perceived identity of an ‘other’ (Barth). In applying Barth’s framework, modern Bahamian identity has developed—and is largely understood—in comparison to a Haitian ‘other.' Therefore, this essay will argue that, having gone through multiple iterations of the racial contract, policies of subjugation initially intended for black colonial subjects (e.g. uneven development and colonially encouraged distrust) have been subverted for use by The Bahamas’ post-independence government against those with Haitian ancestry. It will demonstrate that Bahamian sentiments towards Haitians are contextualized historically and based on a long-standing colonial tradition of discrimination and social control that pitted West Indian immigrants against them. While this subjugation is no longer enforced along phenotypical lines, elements of privilege connected to the racial contract are now adjudicated along different lines that may prove harder to distinguish, perhaps making the privileges attached to the dominant identity different from a North American context.