Svašek, Maruška (ed.). Moving subjects, moving objects: transnationalism, cultural productions and emotions. ix, 286 pp., tables, fig., illus., bibliogrs. Oxford, New York: Berghahn Books, 2012. £53.00 (cloth)

2014 ◽  
Vol 20 (2) ◽  
pp. 374-375
Author(s):  
Helena Wulff
Perception ◽  
10.1068/p3066 ◽  
2000 ◽  
Vol 29 (6) ◽  
pp. 675-692 ◽  
Author(s):  
Beena Khurana ◽  
Katsumi Watanabe ◽  
Romi Nijhawan

Objects flashed in alignment with moving objects appear to lag behind [Nijhawan, 1994 Nature (London) 370 256–257], Could this ‘flash-lag’ effect be due to attentional delays in bringing flashed items to perceptual awareness [Titchener, 1908/1973 Lectures on the Elementary Psychology of Feeling and Attention first published 1908 (New York: Macmillan); reprinted 1973 (New York: Arno Press)]? We overtly manipulated attentional allocation in three experiments to address the following questions: Is the flash-lag effect affected when attention is (a) focused on a single event in the presence of multiple events, (b) distributed over multiple events, and (c) diverted from the flashed object? To address the first two questions, five rings, moving along a circular path, were presented while observers attentively tracked one or multiple rings under four conditions: the ring in which the disk was flashed was (i) known or (ii) unknown (randomly selected from the set of five); location of the flashed disk was (i) known or (ii) unknown (randomly selected from ten locations), The third question was investigated by using two moving objects in a cost – benefit cueing paradigm, An arrow cued, with 70% or 80% validity, the position of the flashed object, Observers performed two tasks: (a) reacted as quickly as possible to flash onset; (b) reported the flash-lag effect, We obtained a significant and unaltered flash-lag effect under all the attentional conditions we employed, Furthermore, though reaction times were significantly shorter for validly cued flashes, the flash-lag effect remained uninfluenced by cue validity, indicating that quicker responses to validly cued locations may be due to the shortening of post-perceptual delays in motor responses rather than the perceptual facilitation, We conclude that the computations that give rise to the flash-lag effect are independent of attentional deployment.


2020 ◽  
pp. 1-28
Author(s):  
RONA CRAN

This essay explores the formative but largely unacknowledged role played by women in shaping the material and intellectual cultural productions of the mimeograph revolution in mid-century New York City. I argue that women poets used their positions as editors of little magazines to claim space – material, textual, cultural, and metaphorical – in literary and social networks in which they faced gendered marginalization. I suggest that the varied success with which they were able to do so reveals the complexities of editing, the uneven nature of the influences of gender, the determining role of domestic spaces, and the significance of affective labor in relation to the mimeograph revolution.


2020 ◽  
Vol 17 ◽  
pp. 107-122
Author(s):  
Valeria Cavazzino

In recent years, due to the rise of cultural productions through different media, an increase in the number of journalistic publications of hybrid texts has been observed, which results from the fusion of the narrative and informative functions. The spaces traditionally devoted to different types of journalistic texts which – apart from those merely informative, may include cultural-related and opinion articles – make possible the appearance of articles which distinguish themselves trough entailing both characteristics. Therefore, this paper analyses two articles written by J. Carrion and published in the Spanish edition of The New York Times in 2018. The articles will be scrutinised in relation to the narrative and essayistic works of the author. We illustrate some characteristics of what is generally referred to as narrative journalism, as defined by Herrscher (2012) and Casals Carro (2005), among others. This will allow us to trace a profile of the author, journalist and writer which is linked to the social environment and of his work.


Perception ◽  
10.1068/p5653 ◽  
2007 ◽  
Vol 36 (7) ◽  
pp. 1043-1048 ◽  
Author(s):  
Stuart Anstis

In the ‘flash-lag’ effect, a static object that is briefly flashed next to a moving object appears to lag behind the moving object. A flash was put up next to an intersection that appeared to be moving clockwise along a circular path but was actually moving counterclockwise [the chopstick illusion; Anstis, 1990, in AI and the Eye Eds A Blake, T Troscianko (London: John Wiley) pp 105–117; 2003, in Levels of Perception Eds L Harris, M Jenkin (New York: Springer) pp 90–93]. As a result, the flash appeared displaced clockwise. This was appropriate to the physical, not the subjective, direction of rotation, and it suggests that the flash-lag illusion occurs early in the visual system, before motion signals are parsed into moving objects.


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