scholarly journals Znaczenie Internetu dla zarządzania reputacją naukowca

2021 ◽  
pp. 129-144
Author(s):  
Anna Pawiak ◽  
Keyword(s):  
New Media ◽  
Information Transfer ◽  
Research Problem ◽  
Reputation Management ◽  
The Internet ◽  
Factors Associated ◽  
Image Creation ◽  
The Subject ◽  
Over Time ◽  
Reputation Building

The article aims at drawing attention to opportunities of reputation management by researchers using new media, considering the importance of internet tools for image creation and identifying opportunities and threats. The research problem of the article focuses on answers to the question formulated as follows: What might the possible importance of the Internet for reputation building be? The problem relates to the issue of researchers’ active participation in creating and shaping their reputation online. The presented considerations have been based on literature and studies on the subject. The article attempts to clarify the distinction between the concepts of identity, image, and reputation. It discusses image-creating factors and refers to the question of immanent credibility and guise in research. The author describes examples of internet tools and points to their importance for reputation management, which concerns the sum of partial images accumulating over time. Communication plays an important role in building reputation. Owing to its availability, interactivity and variety of forms, as well as the speed of information transfer, the Internet has become an indispensable channel of communication. All researchers should recognise the fact in order to build their reputation thoughtfully. Their reputation involves a multitude of accumulated images formed as a result of interactions between factors associated with the subjects themselves, information the recipients obtain, and factors relating to the recipients. The conclusions of the study point to the necessity of reputation management by planned and deliberate actions taking advantage of internet tools. Thus, every effort should be made to prevent a situation where reputation is shaped irrespective of the interested person’s participation.

scholarly journals Egzekucja komornika sądowego w świecie wirtualnym

2021 ◽  
pp. 251-265
Author(s):  
Paweł Piotrowski
Keyword(s):  
21St Century ◽  
Virtual World ◽  
Large Scale ◽  
Civil Procedure ◽  
The Internet ◽  
National Council ◽  
The Subject ◽  
Enforcement Authority ◽  
Fast Acting ◽  
Over Time

The bailiff is an enforcement authority closely related to the court at which he acts. Numerous amendments to the acts also have an impact on the Code of Civil Procedure (hereinafter: the Code of Civil Procedure). Large-scale enforcement has already changed before the global COVID-19 pandemic. The changes referred to in this article will concern the introduction of the bailiff to the virtual world in order to determine the debtor’s property and by enabling bailiff auctions via the internet. When access to the Internet became common in Poland, the bailiffs themselves counted on tearing them away from the already outdated regulations and introducing them into the 21st century. One of the first initiatives was the introduction of an auction portal by the National Council of Bailiffs. On this portal, bailiffs posted information from the auctions appointed, their announcements along with the basic description of the subject of the auction, conditions of the auction, payment of the bid security and the place and time of the auction. Thanks to the easy and fast-acting website, everyone who had access to the Internet no longer had to travel all over the country to find out what would be auctioned. Unfortunately, the regulations of that time did not allow electronic auctions. This article will present and describe the bailiff ’s entry into the virtual world not only in terms of auctions, but also the technical possibilities they have received over time and threats, but also paying attention to legal and technical shortcomings that prevent effective execution of cryptocurrencies and its threats.

scholarly journals Paris, « un lieu centre de tous les centres ». Est-ce toujours d’actualité ?

2020 ◽  
Vol 25 (2) ◽  
pp. 435-442
Author(s):  
Anne-Marie Le Baillif
Keyword(s):  
New York ◽  
New Media ◽  
French Language ◽  
The Internet ◽  
The Past ◽  
Greenwich Meridian ◽  
The World ◽  
The Subject ◽  
World Centre ◽  
The City

Paris, “The Centre of All Centres”. Is It Still the Case? In La République Mondiale des Lettres published in 1999 and 2008, Ms. Casanova wrote: “Paris is the Greenwich meridian for literature” for the 19th and 20th centuries. Writers and artists have come to the city in the past because it was extremely attractive for creative and economic reasons. But at the beginning of the 21st century, with the rise of the New Media for writing, publishing and diffusing, is it correct to say that Paris is still supreme? Is location more important than the time devoted to writing and reading? The claims on which Ms. Casanova builds her assertions are not supported by the facts of recent history and geography. She refers to “La belle santé économique et la liberté” in Paris but she forgot to mention why artists came from central Europe. It was just because the life was cheaper in Paris than in Berlin, as Walter Benjamin observed in 1926. She notes that Paris was the world centre for high fashion and that writers came together there to be inspired by the place and each other. But these things are no longer true: Paris is one of the most unaffordable cities in the world. Fashion in clothes is determined in many centres, with fashion weeks held in New York, Milan and China; aesthetics no longer depend on a single country. Literary creativity has spread across many continents and the internet and social media provide access to millions of people around the globe. Globalisation has unified the world, note Jean-Philippe Toussaint and Sylvain Tesson, and brought the standardization of cultures. There is also the matter of the dominant language today. The French language has not changed since Ms. Casanova was doing her research, but French writers now dream of being translated into English to reach the largest audience around the world. Publishers also favour English to make the most profit because literature and art are now worldwide commodities. Writers and researchers use the Internet, which connects them with documents, libraries and people all over the world. Newspapers such as Le Monde and Le Figaro in France provide literary reviews from around the world; for example, Histoire de la Traduction Littéraire en Europe Médiane, compiled by Antoine Chalvin, Marie Vrinat-Nikolov, Jean-Léon Muller and Katre Talviste, was written up in Cahiers Littéraires du Monde. What about the readership? If publishing and merchandizing are accelerating and globalizing because of how the Internet changes time and distance, the writer still has to follow the rhythm of the subject.

scholarly journals TESTIMONIAL IN (NEW) MEDIA

2021 ◽  
Author(s):  
Justyna Majchrowska ◽  
Keyword(s):  
New Media ◽  
Modern Society ◽  
Linguistic Analysis ◽  
The Internet ◽  
Financial Benefit ◽  
Linguistic Research ◽  
Text Types ◽  
The Media ◽  
The Subject

The linguistic research of (the new) media so far has mainly focused on the analysis of content from broadcasters – people publishing on the Internet in order to convince the potential recipients to enter the website, read articles, explore the website as well as return after leaving it – in exchange for the material or financial benefit. Several years of observation of a variety of text types existing in the media shows that not only texts from broadcasters make it possible to notice and maintain this attention of recipients. Nowadays, similarly as in marketing and advertising, in the media (but not only there) the essential and productive content comes from the recipient. The subject of this quantitative and qualitative linguistic analysis is the title testimonial as a rapidly growing persuasive (promotional) trend in (new) media and a response to the challenges of the modern society.

scholarly journals Concept of Designing Online Manuals

2021 ◽  
pp. 40-54
Author(s):  
Gela Gvinepadze ◽  
◽  
Tornike Shavishvili ◽  
Keyword(s):  
Computer Technology ◽  
Educational Environment ◽  
The Internet ◽  
Web Technologies ◽  
General Terms ◽  
Training Materials ◽  
Online Leadership ◽  
The Subject ◽  
Over Time ◽  
Made In

In recent years, no field of human activity has advanced as rapidly as in the field of computer technology. Here, the most impressive advances have been made in the creation of the Internet and, as a consequence, web technologies. The article deals with the formation of the concept of online leadership both in general terms and taking into account the specifics of the educational environment of Georgia. Based on our interests, it is proposed to provide training materials to users simultaneously in several, at least two languages. The concept of the formation of such guides proposed in the article is considered on the example of teaching the Javascript language of one of the subject on web technologies. In particular, the article deals with the development of structuring rules and the name of files containing training materials that would make it easy to make the changes required over time.

scholarly journals The Amphibian Filmmaker: A new evolutionary species In the time of the Post-truth

2020 ◽  
Author(s):  
Luis Fernando Medina Cardona
Keyword(s):  
New Media ◽  
Scientific Method ◽  
The Internet ◽  
Documentary Films ◽  
New Media Art ◽  
Critical Issues ◽  
Internet Art ◽  
Artistic Vision ◽  
The Subject ◽  
Points Of View

This proposal is an exploration where film and new media art (particularly post-internet art) are approached from a perspective of the so-called post-truth. To do this, it starts from questioning the ideas ofobjectivity and the subject/object pair from two related points of view: how these ideas are interpreted in documentary films and how they play a role in the current scientific method crisis. This serves to give context to the problem of the image as a system of representation in both realms (film and science), and how truth is portrayed particularly in the realm of the technical image, serving to aesthetic and scientific purposes. Having mapped out this epistemological tension, three types of films are briefly discussed - the biopic, the intimate documentary and the false documentary - emphasizing on the latter and presenting it as the direct forerunner of the so-called “fakes” on the Internet. Moreover, the pair truth-objectivity is challenged in favor of false narratives that through humor or irony depict critical issues in a more engaging way. In order to do this, several examples are presented showing how the historical evolution of the single screen of the cinema into the multiple screens of the network society not only hybridizes creators with consumers,but expands with diversity the prior unequivocalness of the objectivity discourse. Finally, the concept of the amphibian filmmaker is posed, as a metaphor of a creator who is able to move on these fuzzy aesthetic territories being faithful to an artistic vision but also to a social and activist ethos.

scholarly journals Medienlinguistische Analyse der Kommunikation in Livestreams von Computerspielen

2019 ◽  
pp. 85-104
Author(s):  
Sławomir Kowalewski
Keyword(s):  
New Media ◽  
Computer Games ◽  
Information Transfer ◽  
Large Degree ◽  
The Internet ◽  
Linguistic Context ◽  
Text Linguistics ◽  
Interdisciplinary Nature ◽  
Internet Platform

The main goal of this article is to linguistically analyse the livestream of computer games. The study has interdisciplinary nature – it is based mainly on media linguistics instruments. However, the paper also refers to certain aspects of text linguistics and, to a large degree, semiotics of multimodality. Livestreams are a relatively new media phenomenon and thus for linguists are unexplored and demand research. The following article will attempt to define as precisely as possible the concept of 'text' and 'medium' in a linguistic context. Furthermore, media information transfer during livestream will be analysed. Particular emphasis will be placed on to what extent the message and reception are supported by the phenomena of pluriand intermediality. The analysis is based on screenshots from the Internet platform Twitch.

THE INTERNET IN MANAGEMENT OF VALUE FOR CUSTOMERS IN THE SECTOR OF CULTURE IN THE ERA OF CORONAVIRUS PANDEMIC

2020 ◽  
Vol 21 (specjalny) ◽  
pp. 71-86
Author(s):  
Magdalena Sobocińska
Keyword(s):  
New Media ◽  
New Technologies ◽  
Point Of View ◽  
The Internet ◽  
Cultural Institutions ◽  
Cultural Goods ◽  
Qualitative Nature ◽  
High Uncertainty ◽  
Over Time

The coronavirus pandemic has a number of consequences for the management of various types of market entities. This also applies to the sphere of culture, the specificity of which is expressed, among others, in the processes of creation and reception of artworks, as well as the functions performed by cultural goods, the multiplicity of forms of participation in culture and high uncertainty of demand. New technologies that find application in the sphere of culture, including the Internet, cause that the processes of creating, distributing, and promoting cultural goods have been changing over time. It has also been associated with redefining the divisions and roles performed by professional creators and consumers of their works. However, during the coronavirus pandemic, the importance of the Internet in managing the value for culture consumers has changed. The purpose of the paper is to show the role of the Internet at various stages of the process of management of the value for a participant in culture during the coronavirus pandemic and the potential of new media from the point of view of maintaining relationships with consumers. The paper is based on in-depth studies of literature and research reports, the analysis of activities conducted on the Internet by selected cultural institutions, as well as the results of own empirical research of a qualitative nature, which were performed among participants in culture.

Without the Power to Drink or Contract

2020 ◽  
Vol 24 (1) ◽  
pp. 26-48
Author(s):  
Warren Swain
Keyword(s):  
Alcohol Consumption ◽  
Social Activity ◽  
Individual Responsibility ◽  
Roman Law ◽  
Current Position ◽  
Modern Times ◽  
The Will ◽  
The Subject ◽  
The Law ◽  
Over Time

Intoxication as a ground to set aside a contract is not something that has proved to be easy for the law to regulate. This is perhaps not very surprising. Intoxication is a temporary condition of varying degrees of magnitude. Its presence does however raise questions of contractual autonomy and individual responsibility. Alcohol consumption is a common social activity and perceptions of intoxication and especially alcoholism have changed over time. Roman law is surprisingly quiet on the subject. In modern times the rules about intoxicated contracting in Scottish and English law is very similar. Rather more interestingly the law in these two jurisdictions has reached the current position in slightly different ways. This history can be traced through English Equity, the works of the Scottish Institutional writers, the rise of the Will Theory, and all leavened with a dose of judicial pragmatism.

The Internet Trap

2018 ◽  
Author(s):  
Matthew Hindman
Keyword(s):  
The Internet ◽  
Net Neutrality ◽  
The Public ◽  
Attention Economy ◽  
Digital News ◽  
The Cost ◽  
Over Time

The Internet was supposed to fragment audiences and make media monopolies impossible. Instead, behemoths like Google and Facebook now dominate the time we spend online—and grab all the profits from the attention economy. This book explains how this happened. It sheds light on the stunning rise of the digital giants and the online struggles of nearly everyone else—and reveals what small players can do to survive in a game that is rigged against them. The book shows how seemingly tiny advantages in attracting users can snowball over time. The Internet has not reduced the cost of reaching audiences—it has merely shifted who pays and how. Challenging some of the most enduring myths of digital life, the book explains why the Internet is not the postindustrial technology that has been sold to the public, how it has become mathematically impossible for grad students in a garage to beat Google, and why net neutrality alone is no guarantee of an open Internet. It also explains why the challenges for local digital news outlets and other small players are worse than they appear and demonstrates what it really takes to grow a digital audience and stay alive in today's online economy. The book shows why, even on the Internet, there is still no such thing as a free audience.

STORYTELLING AND MEANING RECONSTRUCTION: A METAPHORICAL PERSPECTIVE

2016 ◽  
Vol 24 (2) ◽  
pp. 159-169
Author(s):  
M L Mojapelo
Keyword(s):  
Personal Development ◽  
Real Life ◽  
Human Existence ◽  
Meaning Reconstruction ◽  
Changing Patterns ◽  
The Subject ◽  
Changes Over Time ◽  
Over Time

Storytelling consists of an interaction between a narrator and a listener, both of whom assign meaning to the story as a whole and its component parts. The meaning assigned to the narrative changes over time under the influence of the recipient‟s changing precepts and perceptions which seem to be simplistic in infancy and more nuanced with age. It becomes more philosophical in that themes touching on the more profound questions of human existence tend to become more prominently discernible as the subject moves into the more reflective or summative phases of his or her existence. The aim of this article is to demonstrate the metaphorical character of a story, as reflected in changing patterns of meaning assigned to the narrative in the course of the subjective receiver‟s passage through the various stages of life. This was done by analysing meaning, from a particular storytelling session, at different stages of a listener‟s personal development. Meaning starts as literal and evolves through re-interpretation to abstract and deeper levels towards application in real life.

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