scholarly journals THE DYNAMICS OF WAYANG GOLEK IN PANDEMIC AND GLOBALIZATION: TRADITIONAL ART SUSTAINABILITY

2021 ◽  
Vol 23 (2) ◽  
pp. 311-325
Author(s):  
Mohammad Rindu Fajar Islamy ◽  
Aam Abdussalam ◽  
Giani Adzkia
Keyword(s):  
Theoretical Study ◽  
Social Culture ◽  
Traditional Art ◽  
Islamic Studies ◽  
The Social ◽  
Arts And Culture ◽  
Great Pressure ◽  
The Government ◽  
Traditional Arts ◽  
Performing Art

This research aims to explore the dynamics of wayang golek art and to highlight its sustainability in the future. Modernity, the acceleration of technological devices and globalization wave in the last two decades, transfers great pressure on traditional arts and culture. Wayang Golek, a performing art originally from West Java, has recently received a fairly strong wave of resistance due to changes in the social culture which is mainly leading to modernity. By using a qualitative approach, data collection techniques were carried out by interviewing two main players as the puppeteers of Wayang Golek. The data analysis uses the theory of Miles and Hubberman, and the theoretical study of Islamic studies. The results of the study show that 1) Wayang Golek has unique characteristics, where the talent needed tends to go through the "inheritance" tradition, 2) Wayang Golek can be a bridge for internalizing religious and humanist values for the community through unique stories based on custom, 3) the restriction of Wayang Golek performance due to the Covid-19 pandemic leads the puppeteers to be more creative to survive, such as creating videos and uploading them in YouTube and other social media, and 4) the preservation of this art depends on the serious attention of all parties, from the government, regional officials, and the community.Penelitian ini bertujuan untuk mengeskplorasi dinamika kesenian wayang golek, serta menyoroti keberlangsungan ‘hidup’ seni tradisional wayang golek dimasa yang akan datang. Era modernitas, akselerasi perangkat teknologi dan gelombang arus globalisasi dalam dua dekade terakhir, memberikan tekanan hebat pada wilayah seni dan budaya tradisional. Wayang Golek sebuah seni pertunjukkan yang berasal dari Jawa Barat akhir-akhir ini mengalami gelombang resistensi cukup kuat imbas dari perubahan kultur sosial masyarakat yang bergerak kearah modernitas. Dengan menggunakan pendekatan kualitatif, teknik pengumpulan data dilakukan dengan wawancara terhadap dua pemain utama sebagai “Dalang” Wayang Golek, observasi dan dokumentasi. Adapun analisis data menggunakan teori Miles dan Hubberman, dan kajian teoritis Islamic studies. Hasil penelitian menunjukkan bahwa 1) Seni Wayang Golek memiliki karakteristik unik, dimana bakat yang dibutuhkan cenderung melalui tradisi “warisan”, 2) Wayang Golek dapat menjadi jembatan internalisasi nilai-nilai religius dan humanis bagi masyarakat melalui cerita-cerita unik berbasis adat, 3) dilarangnya pagelaran Wayang Golek akibat pandemi Covid-19 membuat para dalang lebih kreatif untuk bertahan, seperti membuat video dan menunggahnya ke YouTube dan media sosial yang lain, dan 4) Kelestarian kesenian ini bergantung terhadap perhatian serius semua pihak baik dari pemerintah, pejabat daerah, maupun masyarakat.

scholarly journals PERANAN SANGGAR DALAM MELESTARIKAN KESENIAN TRADISIONAL BETAWI

2015 ◽  
Vol 7 (3) ◽  
pp. 461
Author(s):  
Yuzar Purnama
Keyword(s):  
Local Community ◽  
Traditional Art ◽  
The Public ◽  
Descriptive Research ◽  
Arts And Culture ◽  
Development And Utilization ◽  
The Government ◽  
Traditional Arts ◽  
And Training

AbstrakIndonesia memiliki khasanah budaya yang relatif  banyak, salah satunya adalah kesenian tradisional. Kondisi real kesenian tradisional sekarang ini sebagian punah dan sebagian lagi  diujung kepunahan (hidup enggan mati tak mau). Upaya pelestarian yaitu perlindungan, pengembangan, dan pemanfaatan sudah dilakukan baik oleh pemerintah maupun  masyarakat. Salah satu penyebabnya adalah kurangnya perhatian terhadap wadah/tempat bernaung kesenian, sanggar. Tulisan ini mengupas peran sanggar dalam menjaga kelestarian kesenian tradisional, yang dibatasi pada sanggar yang terdapat di wilayah Betawi, dengan pertimbangan bagaimana kehidupan sanggar kesenian tradisional yang berada di wilayah paling modern di Indonesia. Penelitian bertujuan untuk mendapatkan pengetahuan tentang korelasi sanggar dengan kesenian tradisional. Penelitian ini menggunakan pendekatan kualitatif dengan metode penelitian deskriptif. Penelitian didahului dengan studi pustaka, pengambilan data dengan observasi dan wawancara, dilanjutkan dengan klasifikasi data, analisis data, dan hasil. Kesimpulan penelitian adalah pentingnya eksistensi sanggar sebagai salah satu upaya untuk mengantisipasi kepunahan kesenian  khususnya kesenian topeng Betawi, topeng blantek, dan tanjidor. Peranan sanggar dalam kesenian tradisional adalah sebagai wadah/ tempat bernaung sejumlah seni budaya, sebagai media edukasi baik pendidikan maupun latihan, sebagai media hiburan bagi masyarakat sekitar dan peminat seni, sebagai tempat mengatur strategi seputar seni yang ditekuni sebagai tempat bersilaturahmi (berkumpul dan berdiskusi) dalam rangka mempererat persaudaraan. AbstractRelatively, Indonesia has many cultural treasures, one of them is a traditional art. Real conditionsof traditional art today partly extinct and partly at the threshold of extinction (reluctant live, but do not want todead). The preservation effort that is the protection, development and utilization has been done either by the government or the public. One reason is the lack of attention to the shelter of art, a studio. This writing examines the role of studios in preserving traditional art, which is restricted to the studio located in the region of Batavia, with consideration of how the life of a traditional art studio located in the most modern in Indonesia. The research aims is to gain the informationrelated to the traditional art studio. This study used a qualitative approach with descriptive research method. Proceeded by doing literature research and collecting data through observation and interviews, followed by data classification, data analysis, and data findings. The results showed that the importance of the existence of the studio as an effort to anticipate the extinction of Betawi art, especially art masks, masks Blantek, and tanjidor. The role of studios in the traditional arts isas a shelter of a number of arts and culture, as a medium of education both education and training, as a medium of entertainment for the local community and art enthusiasts, as a set strategy in the art that occupied as a place to stay in touch (get together and discuss) in order to strengthen the brotherhood. 

Behind the Scenes

2017 ◽  
Vol 6 (2) ◽  
pp. 80-90
Author(s):  
Adilla Anggraeni ◽  
Adilla Amelia
Keyword(s):  
Collection Method ◽  
Traditional Art ◽  
The Arts ◽  
Arts Marketing ◽  
Art Consumption ◽  
Traditional Arts ◽  
Performing Art ◽  
Service Experiences ◽  
Art Elements ◽  
Depth Interviews

Delivering a satisfactory experience to the customers is an inseparable part of a service organization. This article investigates how two different groups of wayang orang (human wayang), a form of traditional art in Indonesia deliver service experiences to the audiences. Qualitative methods consisted of in-depth interviews and open-ended survey were utilized as the data collection method. The findings suggest that service experiences were delivered through the combination of various art elements in the performance, and some of the elements are considered to be more important than the others. Several barriers have also been identified as the barriers that inhibit consumption of this traditional art. Bharata and Swargaloka performing art groups were utilized as the context of this research. This article contributes to limited studies on traditional arts within the arts marketing domain, especially with regards to art experience delivery and art consumption.

scholarly journals Kebijakan Pemerintah Papua dalam Pelestarian Tradisi Bakar Batu

2018 ◽  
Vol 3 (2) ◽  
pp. 209
Author(s):  
Herningsih Herningsih
Keyword(s):  
Cultural Identity ◽  
Natural Resources ◽  
Ethnic Group ◽  
Central Government ◽  
Cultural Traditions ◽  
Irian Jaya ◽  
Traditional Art ◽  
The Republic ◽  
The Government ◽  
Traditional Arts

Papua which is geographically located on the eastern tip of Indonesia is an area which has a wealth of not only very abundant natural resources but also cultural traditions diversity and traditional arts. Every ethnic group in the area that was formerly known as Irian Jaya has typical of each traditional art. In order to preserve other cultural and artistic traditions, according to Law Number 21 Year of 2001 concerning Special Autonomy for the Papua Province, the central government gives authority to the Government of Papua to regulate and preserve themselves within the NKRI (The Unitary State of the Republic of Indonesia) framework, including the authority to empower, conserve and develop traditional arts as the cultural identity of the Papuan people such as the tradition of stone burning carried out by the Komunitas Muslim di Bumi Cendrawasih (moslem community in Papua). This paper discusses the policy of the Government of Papua in preserving the stone burning tradition among muslims, traditional arts and the inhibiting and supporting factors in implementing the policy.

scholarly journals POLITIK HUKUM PEMBENTUKAN DESA ADAT DALAM SISTEM PEMERINTAHAN DI INDONESIA

2017 ◽  
Author(s):  
Muhammad A. Rauf
Keyword(s):  
Rural Communities ◽  
Indigenous Peoples ◽  
The State ◽  
Social Culture ◽  
State Recognition ◽  
The Social ◽  
The Government ◽  
The Concept Of Law ◽  
The Times ◽  
The Village

This study aims to determine the legal political formation of indigenous villages in the government system in Indonesia. Village administration system becomes an important issue in setting the model villages in Indonesia. State recognition of indigenous villages punctuated with the enactment of Law No. 6 of 2014 concerning the village. This study uses normative legal research in which data are collected and analyzed by the sentences associated with existing theories. The results of the study explained that the significance of the state recognizes indigenous villages namely to restore the identity and culture of rural communities, develop and preserve the local wisdom that a system of life of indigenous people of the village and as the controlling influence of globalization that destroys the social culture and Indonesian culture and restore the identity nation. Unification and pluralism to be one cause erosion of the power system and the character of the life of indigenous peoples through policies issued by the State. Therefore it is important to realize the concept of law that characterizes the character and culture of Indonesia in accordance with the times and the law in the society through the instrument of legislation.

scholarly journals PROSES ADOPSI INOVASI PERTANIAN SUKU PEDALAMAN ARFAK DI KABUPATEN MANOKWARI – PAPUA BARAT

2007 ◽  
Vol 3 (2) ◽  
Author(s):  
Mulyadi Mulyadi ◽  
Basita Ginting Sugihen ◽  
Pang S. Asngari ◽  
Djoko Susanto
Keyword(s):  
Structural Equation ◽  
Extension Education ◽  
Survey Method ◽  
Adoption Process ◽  
Observation Data ◽  
Social Culture ◽  
Traditional System ◽  
Tribal Group ◽  
The Social ◽  
The Government

Although the agriculture activities has been introduced for relatively a long time, the subsistent agriculture of the Arfak Tribal Group has still dominated in their agriculture system. In their agriculture activities, the new innovations has been adopted for a short time. The new innovations to be seen as a disturbance to their conservative norms. But this theory disagreed by Boef et al. (1993:206) as noted that the conservative system is not the cause but the top down agriculture program which contradicted with the local norms. This research are aimed to:(1) Identify the factors influencing the adoption process by the Arfak tribal group.(2)Identify the perceptions of the Arfak people about the agriculture innovations and extension education which they received from the government.(3) Identify the social culture values (norms, traditional system, custom) both the supporting and the obstructing the farm of Arfak people. The research used survey method and participation observation. Data are analized by proportion analysis and Structural Equation Model (SEM). The results of the research showed that:(1) The social capital which supported the innovations adoption process by the Arfak tribe are emphaty ability, cosmopolitant behaviour, creative and innovative ability.(2) There are significant correlation between the Arfak people with their learning needs, social culture, and responsive behavior of extension education launched by the government officials

scholarly journals Peningkatan Apresiasi Seni Dan Budaya Masyarakat Dalam Upaya Mewujudkan Desa Mergowati Sebagai Desa Wisata

Abdi Seni ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 34-46
Author(s):  
Soemaryatmi Soemaryatmi
Keyword(s):  
Social Life ◽  
Tourism Industry ◽  
Economic Activities ◽  
Cultural Traditions ◽  
Creative Dance ◽  
Traditional Art ◽  
The Arts ◽  
The People ◽  
Arts And Culture ◽  
Traditional Arts

AbstrakPeningkatan Apresiasi Seni Dan Budaya Masyarakat  Dalam Upaya Mewujudkan Desa Mergowati  Sebagai Desa Wisata, merupakan kegiatan dalam rangka meningkatkan kesadaran masyarakat Desa Mergowati terhadap potensi seni budaya yang dimiliki untuk dijadikan industri wisata. Mergowati adalah wilayah pedesaan yang memiliki lingkungan alam yang sejuk asri, dan pemandangan yang indah serta kehidupan sosial  masyarakat yang ramah dan penuh kekeluargaan. Desa Mergowati memiliki sejarah yang menarik, didukung dengan situs-situs peninggalan Kerajaan Mataram dan memiliki seni budaya serta kerajinan tangan terbuat dari bambu. Metode apresiasi dengan pendekatan aplikatif dan dengan meminjam pemikiran Alfian tentang kreatif, digunakan untuk membahas bagaimana  meningkatkan apresiasi seni tradisional masyarakat Desa Mergowati, dan bagaimana meningkatkan kreativitas pengrajin  anyaman  bambu. PPM Tematik di Desa Mergowati kali ini difokuskan pada peningkatan apresiasi seni tradisioal,  workshop pemanfaatan bambu untuk cinderamata, dan mengapresiasi tradisi budaya (Grebeg Gunung Boto). Hasil kegiatan dapat disampaikan sebagai berikut, (1) Pelatihan seni tradisional Tari Kuda Lumping, Tari Kreasi Baru: Tari Rigen, Tari Kupu-Kupu, Tari Merak, Tembang Mocopat, Tembang Dolanan. (2) Workshop pemanfaatan bambu: Lampu Hias, Pot Gerabah Hias, Gantungan Kunci. Diharapkan muncul kegiatan yang bernuansa ekonomi kreatif.Keywords. Apresiasi,  Seni, Mergowati, Wisata. AbstractIncreasing the Appreciation of Arts and Culture in the Community Efforts to Realize Mergowati  as a Tourism Village, is an activity in order to increase the awareness of the Mergowati people  to the potential of the arts and culture they have to make into the tourism industry. Mergowati is a rural area which has a cool natural environment, beautiful scenery and social life that is friendly and full of family. Mergowati village has an interesting history, supported by sites of the kingdom of Mataram and has cultural and handicraft made from bamboo. The appreciation method, with an applicative approach and by borrowing Alfian’s thoughts about creative, is used to discuss how to increase the appreciation  of  traditional  art  from  the  people  of  Mergowati  Village,  and  how  to  increase  the creativity of woven bamboo craftsmen. Thematic PPM in Mergowati Village this time is focused on increasing  appreciation  of  traditional  art,  workshops  on  the  use  of  bamboo  for  souvenirs,  and appreciating cultural traditions (Grebeg Gunung Boto). The results of the activities can be delivered as  follows,  (1)  Traditional  arts  training  on  Kuda  Lumping  Dance,  New Creative  Dance:  Rigen Dance, Kupu Kupu Dance, Merak Dance, Mocopat Song, Dolanan Song. (2) Workshop on the use of bamboo: Decorative lamps, decorative pottery pots, key chains. It is hoped that creative economic activities will emerge.Keywords: Appreciation, Art, Mergowati, Tourism  

scholarly journals Peran Komunitas Seni Budaya dalam Pembentukan City Branding

1970 ◽  
Vol 2 (02) ◽  
pp. 17-27
Author(s):  
Pupung Zulyan ◽  
Sri Dewi Setiawati
Keyword(s):  
City Branding ◽  
Arts And Culture ◽  
Art And Culture ◽  
The Government ◽  
Traditional Arts ◽  
Role Of The Government ◽  
The City

This research aims to find out what efforts are made by the Kitchen community of art and culture of Bandung to help form City Branding. Community. Bandung's art and cultural kitchen is a community that does traditional Sundanese art and culture through tourism. The activities carried out by the community Kitchen arts and culture are expected to not only preserve traditional arts and culture but also preserve nature and improve the economy of the surrounding community. The role of The Kitchen Arts and Culture Community in the establishment of city branding Bandung city by becoming one icon of Bandung City. Starting from the preservation of traditional arts and culture that they do as a characteristic formation for the deference of marketing of traditional arts and cultures that originate from their area through tourism activities and become ambassadors representing the city of Bandung to several cities in Indonesia. For the role of the government in the establishment of city branding, it is necessary to align the objectives between the previous officials and the new officials, so that the goals made can be realized to the maximum, because often occurs when the shift in the position of existing programs needs to be re-socialized from the beginning.

scholarly journals Nusantara Berdendang: Seremoni Multikulturalisme oleh Kabinet Kerja

Panggung ◽  
2018 ◽  
Vol 28 (4) ◽  
Author(s):  
Arief Rahman ◽  
Titis Srimuda Pitanav ◽  
Wakit Abdullah
Keyword(s):  
Cultural Studies ◽  
Representation Theory ◽  
Performing Arts ◽  
Qualitative Method ◽  
The State ◽  
The Arts ◽  
Arts And Culture ◽  
Stuart Hall ◽  
The Government ◽  
Performing Art

ABSTRACT Following the 1945 Constitution, the state is obliged to preserve the arts and culture of Indonesia. Kabinet Kerja commemorating 88 Years of Sumpah Pemuda with Nusantara Berdendang show at Istana Merdeka on October 28, 2016. This study discussesa multiculturalism discourse presented in the performance based on the Cultural Studies paradigm with the support of Stuart Hall's representation theory and power theory of Foucault. The research usesa qualitative method with descriptive and interpretative analysis.The multiculturalism discourse is produced by the Kabinet Kerja through performing arts that appear in Nusantara Berdendang. Performing arts are used by the state as a tool to show diversity, as well as a unifying symbol. The state ceremony becomes a discursive area of multiculturalism to implement the unity and unity of Indonesia. Multiculturalism discourse is used to facilitate the success of the Nawacita program. The implication is that Indonesia's image is a bhinneka state, (2) a tolerant and peaceful image of Indonesia,and (3) obedience to the government authorities. Keywords: multiculturalism, Kabinet Kerja, performing art, diversity, ethnicity ABSTRAK Sesuai dengan Undang-undang Dasar 1945, negara berkewajiban memelihara kesenian dan kebudayaan Indonesia.Kabinet Kerja memperingati 88 Tahun Sumpah Pemuda dengan pergelaran Nusantara Berdendang di Istana Negara pada 28 Oktober 2016. Penelitian ini membaca diskursus multikulturalisme yang dihadirkan dalam pergelaran tersebut dengan paradigma Kajian Budaya dengan dukungan teori representasi Stuart Hall (2003)  dan teori kuasa/pengetahuan. Penelitian menggunakan teknik analisis deskriptif kualitatif dan interpretatif.Diskursus multikulturalisme diproduksi oleh Kabinet Kerja melalui seni pertunjukan yang tampil di Nusantara Berdendang.Seni pertunjukan digunakan oleh negara sebagai alat untuk menunjukkan keberagaman, sekaligus sebagai simbol pemersatu.Seremoni negara menjadi area diskursif multikulturalisme untuk merawat kesatuan dan persatuan Indonesia. Diskursus multikulturalisme dilakukan oleh Kabinet untuk memperlancar suksesnya program Nawacita. Implikasinya, citra Indonesia merupakan negara bineka, (2) citra Indonesia yang toleran dan damai, serta (3) kepatuhan pada penguasa pemerintahan. Kata kunci: multikulturalisme, Kabinet Kerja, kesenian, keberagaman etnik

scholarly journals Ceprotan Performing Art: A Traditional Folkart Based on Urband Legend

2018 ◽  
Vol 18 (1) ◽  
pp. 70-76 ◽  
Author(s):  
Bagus Wahyu Setyawan ◽  
Kundharu Saddhono
Keyword(s):  
Content Analysis ◽  
Young People ◽  
Urban Society ◽  
Local History ◽  
Traditional Art ◽  
Lunar Calendar ◽  
Qualitative Descriptive ◽  
Traditional Arts ◽  
Performing Art ◽  
Village Society

Traditional arts of born and develops from urban society by keeping a manifestation of its and forms are different in the regions. Ceprotan as a traditional arts from Sekar Village, Donorojo Sub-district, Pacitan Regency. Form of this research is qualitative descriptive with focused to describe and explain about Ceprotan performing art in Sekar Village, that source from the local history, that is the story of Ki Godeg and Dewi Sekar. Research object are Ceprotan performing art which held once a year, in Senin Kliwon days, in Dulqokdah month. Data collected technique using observation, noted, and content analysis. Result of research find that Ceprotan is a traditional art performed same time with Bersih Desa ceremony in Sekar Village society. Ceprotan perforiming art held once a year, only in day of Senin Kliwon, month of Dulqokdah in Lunar calendar. Ceprotan performing art performed the sendratari (dramatic dancing art) telling the story of Ki Godeg and Dewi Sekar journies with develop the Sekar Village. In the end of performing, done attraction throwing the young coconuts from some of young people from Sekar Village.

HUKUM DAN TEKLOGI SUATU KAJIAN TEORITIS TERHADAP PENOMENA LAYANAN TRANSFORTASI ONLINE

2017 ◽  
Vol 6 (1) ◽  
pp. 20
Author(s):  
Aria Dimas Harapan
Keyword(s):  
Economic Growth ◽  
Theoretical Study ◽  
Legal Protection ◽  
Creative Economy ◽  
Legal Certainty ◽  
The People ◽  
The Government ◽  
The Times

ABSTRACTThe essence of this study describes the theoretical study of the phenomenon transfortation services online. Advances in technology have changed the habits of the people to use online transfortation In fact despite legal protection in the service based services transfortation technological sophistication has not been formed and it became warm conversation among jurists. This study uses normative juridical research. This study found that the first, the Government must accommodate transfotation online phenomenon in the form of rules that provide legal certainty; second, transfortation online as part of the demands of the times based on technology; third, transfortation online as part of the creative economy for economic growth . 

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