This chapter offers a revisionary account of the emergence of modernist epic through a detailed reading of Gertrude Stein’s The Making of Americans. In the late-nineteenth-century United States, the prevailing paradigm for narrations of national destiny was Darwinian. Mostly written between 1903 and 1911, Stein’s book opens as if it were in agreement with such narrations of the national story. Stein announces it as a developmental narrative of the United States, tracing two families’ progressions and westward movement, from a first generation of immigrants to their children and then grandchildren. The Making of Americans, however, does not fulfil its developmentalist prospects in any straightforward manner. Rather, the book stalls, digresses, and—to use Stein’s words—“begins again and again.” In its second half, the narrative comes to resemble less the work of nineteenth-century historians, and more the extensive later portions of modernist modern epics by Robert Musil, Marcel Proust, or James Joyce. The chapter describes how Stein’s turn to a digressive open-form narrative corresponds to her shifting interests in biological science and experimental writing. Her work, it argues, marks the advent of new kind of modernist epic, motivated by attempts to find a way to represent national life beyond social Darwinism and its heteropatriarchal protocols.