parallel construction
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2022 ◽  
Vol 413 ◽  
pp. 126617
Author(s):  
Jinn-Shyong Yang ◽  
Xiao-Yan Li ◽  
Sheng-Lung Peng ◽  
Jou-Ming Chang

2021 ◽  
Author(s):  
Ankit Srivastava ◽  
Sriram P. Chockalingam ◽  
Maneesha Aluru ◽  
Srinivas Aluru

2021 ◽  
Author(s):  
Huanwen Zhang ◽  
Yan Wang ◽  
Jianxi Fan ◽  
Ruyan Guo

2021 ◽  
pp. 21-34

The article examines the creative personality and his parallel construction with the literary hero and the use in Western and Eastern literature. The concept of a creative personality is a literary category, where there are leading the biographical and psychological factors. Nevertheless, the author is one of the factors in the perception of life events, their expression in high poetic and prosaic forms unlike “I”, especially in the choice of images and the formation of artistic heights in their expression. The creative personality is reflected through the artistic image (a character, a hero) and the characteristics of the creative style of the personality are stable. In this regard, emphasizing that a creative person is an artistic image, it is possible to determine the presence of a creative person in different cases of images, portraits and characters, as well as in a series of events in which the character participates. In English, the concept of a creative person translates as “creative person” and means a more creative, skilled person. This phrase is used more as a psychological term and in literature it is not understood as a writer. The concept of a writer is called “writer” or “author”. A creative person is a representative of a talent capable of creating high artistic patterns, unlike the author and writer in terms of terminology. The terms “writer” and “author” can be applied to any author of a work, but a creative person differs from ordinary authors and writers in terms of worldview, sense of poetic principles and power of expression. The “personality” of the writer, his expression is not only a peculiar view of life, its aesthetic development, but also a certain attitude towards it. These are also ideas, artistic concepts that form an integral part of literary works. This article also discusses the use of concepts such as creative “I” and biographical “I”. It reflects the problem of the creative personality and the hero in the works of English authors George Byron, Walter Scott and the most prominent representatives of Uzbek jadid literature Cholpon, Kadyri and Fitrat.


2021 ◽  
Vol 32 (2) ◽  
pp. 219-250
Author(s):  
Yu Fang ◽  
Haitao Liu

Abstract This paper investigates the effects of 10 factors on the choice between alternative ba sentences and SVO sentences in Mandarin Chinese. These factors are givenness, definiteness, animacy and pronominality of NP2s, NP2 length, VP length, verb sense, syntactic parallelism, dependency distance, and surprisal. Using corpus data and mixed-effects logistic regression modeling, we find that on the one hand, givenness, syntactic parallelism, and the log-transformed ratio of NP2 length and VP length are significant predictors of the choice between ba sentences and SVO sentences. A new NP2, a large length ratio and a parallel construction predict an SVO sentence rather than a ba sentence. On the other hand, dependency distance and surprisal estimated by the trigram model are effective in predicting the choice between naturally occurring ba/SVO sentences and their alternatives. Naturally occurring sentences are more likely to have shorter dependency distances and smaller surprisal values than the converted sentences. The effects of these five factors on syntactic choice are congruent with results of previous studies, which suggests that some determinants of syntactic choice are shared among languages.


2020 ◽  
pp. 118-135
Author(s):  
Sarah Brayne

This chapter assesses how existing legal frameworks are anachronistic and inadequate for governing police work in the age of big data. There is now a burgeoning body of legal scholarship analyzing the legal implications of big data policing, yet it is largely theoretical. By grounding legal debates about police use of data in empirical detail, the chapter makes the case that basic legal principles are inadequate not simply because they are anachronistic, but also because the legal debates are too narrow. There are a number of ways legal frameworks are overlooking the social side of big data. First, the way the conceptual categories that underpin legal doctrine—like individualized suspicion—are deployed and organized to make normative assessments do not reflect how decision-making plays out on the ground. Second, police are not simply scaling up data collection in the digital age; rather, different kinds of data are being produced. Despite the fact that there is a difference in kind—rather than just degree—old legal doctrine is still being laid on top of these data. Third, relying on extant legal mechanisms like the exclusionary rule involves using what is meant to be a check on state power at one point in time and space, whereas data is fundamentally social and, as such, has a life course. Fourth, unfettered big data policing creates new opportunities for information asymmetries and can threaten due process through a practice called “parallel construction.”


Author(s):  
Munira Makhamadievna Atamuratova ◽  

This article aims to indicate the importance of syntactic stylistic devices mainly repetition in textual formulation that is based on the characteristics of the oral form of speech and syntactic stylistic devices which is expressed the structural meanings of the syntactic stylistic devices. In the aspects of this problem, it is important to analyze the role of syntactic stylistic devices in the formation of functional styles of the language, to justify the importance of syntactic stylistic devices in the presenting the main logic and contextual meanings in the literary texts. As analyzing any kind of literary text syntactic stylistic devices, that is repetition, chiasmus, stylistic inversion, gradation, ellipsis, antithesis, parallel construction, detached construction and enumeration have the greatest impact. However, according to results of analyzing, repetition is one of the widely used within these syntactic stylistic devices by contrast other models of speech.


2020 ◽  
Vol 21 (1) ◽  
Author(s):  
Guillaume Holley ◽  
Páll Melsted

Abstract Memory consumption of de Bruijn graphs is often prohibitive. Most de Bruijn graph-based assemblers reduce the complexity by compacting paths into single vertices, but this is challenging as it requires the uncompacted de Bruijn graph to be available in memory. We present a parallel and memory-efficient algorithm enabling the direct construction of the compacted de Bruijn graph without producing the intermediate uncompacted graph. Bifrost features a broad range of functions, such as indexing, editing, and querying the graph, and includes a graph coloring method that maps each k-mer of the graph to the genomes it occurs in. Availability https://github.com/pmelsted/bifrost


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