La Unión Europea en la serie ‘Parlement’ (2020). Entre la ficción y el realismo

The interest of this research resides in the analysis of the only fiction series dealing with the functioning of the European Union: the French- Belgian-German production Parlement (Émilie Noblet and Jérémie Sein, 2020). Through a qualitative methodology, it seeks to answer a threefold re- search objective: (1) to analyze the main characters and their characteristic elements; (2) to identify the space-time relationship and the political actions addressed in fiction in order to provide realism to its development through the scenarios and arguments presented; and (3) to detect the existence of parallelisms between the European Union in the social imagery and the one presented in the series according to the theory of social representations, the reality effect and the Eurobarometer surveys. The results reveal that Parle- ment works with stereotypes and social perceptions about the European Union through satire but manages to offer pedagogical elements in all its epi- sodes. In this way, it accomplishes becoming a popular catalyst to bring Euro- pean politics closer to citizens, by projecting a more human and lighthearted image.

El espectáculo de la política en ‘El Hormiguero 3.0’ con los candidatos a la presidencia del Gobierno: 2015-2019

The infotainment is a key piece for political communication and the candidates tour the television sets showing their communication skills. Television entertainment programs such as Antena 3's El Hormiguero have taken advantage of this situation to develop a series of electoral interviews with the candidates for the presidency of the Government of Spain. This article will analyze these programs that have been broadcast during the electoral campaigns held between 2015 and 2019, both from their content and their structure. To carry out this research, the models framed in the quantitative paradigm have been used, focusing on descriptive questions from the content analysis adding the qualitative study of them. The programs that have been carried out in the electoral periods have maintained an identical structure in the interviews broadcast in each campaign prior to the elections so that all candidates were on an equal footing on issues related to current hot topics.

Estudio de la audiencia social en Twitter de los formatos de politainment en España. El caso de ‘El Intermedio’

This research delves into the television programs of political info- tainment (politainment) broadcast in 2018 in Spain and analyzes in a particular way the behavior of the infoshow ‘El Intermedio’, as well as the engagement of its social audience on the social network Twitter. For this, a content analysis methodology has been used on the tweets published by the program, the com- ments received and the reactions made by its social audience. The results of the investigation indicate that, as a whole, politainment programs, or those that include spectacular politics, and that are broadcast in the night time slot, have a greater number of followers on their Twitter profiles than those that are broad- cast in the morning, they also concentrate a higher accumulated monthly linear audience. Regarding the analysis of the tweets and comments of ‘El Intermedio’, the colloquial language and the critical and humorous intentionality are pre- dominant while the engagement obtained is scarce as it does not include only viralizing elements that reinforce its messages.

Visionado colectivo de cine en la red social Twitch por parte de centennials: estudio de caso

The network Twitch hosts a novel form of collective viewing of audiovisual products, whose audience is centennials. We analyse the case of Watch Parties, which allow users to watch films in real time with a streamer. Taking three Watch Parties of the streamer Lynx_Reviewer as a case study, a methodological triangulation is carried out: virtual ethnography, content analysis and semi-structured interview. By exploring the phenomenon, a model of analysis of collective consumption of content is constructed thanks to a descriptive systematisation of the audience’s consumption habits and uses by analysing the conversations and messages generated in the transmissions. The results obtained show that, despite the disparity of content and channels broadcasting on Twitch, this format follows a common pattern of broadcasting, participation, interface and type of messages. It is a leisure experience based on the collective construction of content developed synchronously with the interaction of the audience, which uses its own references and expressive codes to communicate, using films as a means of interaction within the community.

A review on discourse studies concerning migrants in media publications from Brazil and South Africa: towards more Afro-Latin perspectives

This paper reviews scientific literature about representation on migrants in Global South media and in other parts of the world, focusing on comparative studies in Brazil and South Africa, and providing suggestions for less Eurocentric perspectives relating to such topic. We resort to a critical review on theoretical references and multiple studies published between the second half of the last century and the beginning of this century. South African comparative research through meta-studies and their quantitative tendency —alongside French Discourse Analysis, Bakhtinian Circle and Greimas’ influence in Brazil— indicate how this type of research needs to be expanded in the Global South. This paper recommends the construction of more systematic content-based analyses and the exploration of the different degrees and forms through which balanced or patronizing portrayals on migrants are projected in media. Dislocation from a dominant sociocognitive perspective towards inter-semiotic/sociolinguistic approaches is advisable. This work also suggests that Pan-Africanism, African approaches, and/or Latin-American philosophies should be part of this foundation for migration criticism, especially if these migratory processes are analyzed in media or communication context

Repensando la tecnopolítica desde los procesos electorales 2012 y 2018 en México

This article proposes the technopolitical concept as a way to reflect on media changes both in expressions of demand as in processes of social domination and the shaping of public opinion. Longitudinal digital ethnography was carried out on the 2012 and 2018 electoral processes in Mexico. It is concluded that technopolitics is an assembly process where actors interact, with differentiated political objectives, who seek to transform a given historicity or aspire to preserve existing political structures through mobilizations, actions in social media, media content production and other technological appropriations.

Sexo, drogas y series de adolescentes: análisis sociales de los adolescentes en las series televisivas

The aim of this study is to analyze the attitudes and social behaviors of the protagonists of teen series; that is, fiction series produced for teenagers. With this aim, a content analysis has been carried out, a technique that has allowed the identification of the most common behaviors and consequences in said fiction series. The sample is composed of the first season of the seven series best rated by their audience in the first quarter of 2020: Elite (Netflix: 2018- ), Chilling Adventures of Sabrina (Netflix: 2018- ), Sex Education (Netflix: 2019- ), 13 Reasons Why (Netflix: 2017), I Am Not Okay with This (Netflix: 2020- ), Riverdale (The WC: 2017- ) y Euphoria (HBO: 2019- ). The results indicate a high percentage of scenes of unprotected sex and alcohol consumption with hardly any negative consequences.

Análisis de la realización de espectáculos televisivos en directo: Italia en Eurovisión 2021

This paper aims to study the production of live television at the Eurovision Song Contest, a contest characterized by the use of avant-garde and experimental technologies and staging. The filming and production of the winning performance in 2021, «Zitti e buoni», by the Italian group Måneskin, is selected as a case study, as it breaks with previous trends. The main objectives of this research are to analyze the selected performance from a discursive and formal perspective and to identify the visual references on which the production is based. We apply a formal audiovisual analysis while considering intertextual practices and the intention to appropriate pop culture references. The formal audiovisual analysis highlights the respect for a functional and classic audiovisual grammar that tries to make itself invisible to highlight the members of the band with their charisma. Faced with previous practices trying to break spatial and temporal continuity, the performance claims a classical audiovisual grammar and an apparently simple staging based on nostalgia.

Evaluación de infográficos durante el primer año de pandemia en ‘El País Digital’ (2020- 2021)

Effective risk communication is essential to manage outbreaks; consequently, news and figures about COVID-19 have become a constant need since the beginning of 2020. In this sense, infographics are a powerful tool for transmitting this type of information. This work analyzes the first year of the pandemic through the infographics published by El País Digitalto evaluate their use in communicating this health crisis. It is through content analysis that the topics and approaches of the articles, the weight of the infographics with respect to the text, the types and subtypes of infographics used, and their degrees and types of interaction, as well as the evolution of these variables throughout of the research period are studied. The results determine that the content typical of the period analyzed is a data-based thematic article, approached from an analytical / interpretive approach. Infographics and text share protagonism, and line graphs without any type of interactivity are included.

A AUTOEXPOSIÇÃO DE PRATICANTES DE EXERCÍCIOS FÍSICOS COMUNICADA EM REDES SOCIAIS E SUA RELAÇÃO COM O CONSUMO

This research proposes to understand the relationship between the self-exposure of physical exercise practitioners on social media communication and consumption. To this end, we sought to identify the motivations for selfexposure of physical exercise practitioners on social media; identify the types of products consumed that are related to self-exposure on social media and verify the influence between self-exposure of physical exercise practitioners on social media and consumption. Qualitative research was applied, aided by semistructured interviews and by the projective autodriving technique. Twelve men who practice physical exercises in gyms were interviewed. Three categories emerged from the results: exhibitionism, encouraging healthy living and personal fulfillment as antecedents for the self-exposure of physical activity practitioners on social media, and the consumption of food, electronic, sports clothing, applications, and software products was identified, as a way to help the best image that will be exposed. Through the development of a framework, it was found that the self-exposure of the image influences both self-consumption and the consumption of followers. In addition, the concept of conspicuous consumption was broadened by relating the exposure of the conquest of the fitness body as an acquired good that provides social status.